A Quote by Rhea Seehorn

Just playing someone who's not concerned with people's comfort levels is so freeing. — © Rhea Seehorn
Just playing someone who's not concerned with people's comfort levels is so freeing.
It was more freeing, mainly because he's so free anyway. He just is in his performance. So to mimic someone doing a free performance, well, that's pretty freeing within itself.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
I went from playing to like ten people in a pub to playing thousands of people and being in this music industry, you really have to get out of your comfort zone fast.
Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age.
If I'm just trying to get to different levels... and it takes levels to get to levels, and I just have to do what I have to do to keep on climbing the charts and getting where I need to be.
Some people's gender identity conforms to the sex they were assigned at birth, and some people's identity doesn't. That realization was certainly very freeing for me - and could be very freeing for other people.
Most of the time, people are not actually concerned with prostitution and sex work. They're concerned about seeing people who they think are prostitutes and sex workers in their community. Sometimes this just comes down to profiling, the feeling of "I don't want someone who looks like that in my neighborhood." We need communities and neighbors to regard sex workers as part of the community and fellow neighbors. But that's really difficult. There's certainly nothing supporting that.
I mostly play my dynasty or against someone in the hotel. I don't really like online games. I can't stand people yelling in my ear over a headset. I'd rather just play someone like Dwight Howard out in Orlando or people back home. For games like that, it's cool, but just signing on and playing random people, I hate it.
I found that people had all kinds of levels of consciousness, all kinds of levels of education, but that Cubans in general were very educated politically. I could go sit in a bus and get into a conversation with someone and that person had a wealth of knowledge. And energy!
We want playing our games to entertain people on many different levels. Deeper down, I want to make a connection with the player, and it's the way, to me, of saying to the person playing the game that they're not alone in the world.
My main interest is just to work with people who have beautiful, interesting, emotive voices; I'm not too concerned whether someone is famous.
I find more of an authenticity in people who are a little strange - so I really like characters who are just the tiniest bit weird. I find enormous comfort in that - someone who's kind of normal just doesn't feel as true.
Being around people with whom you feel a connection, on many levels, not just a professional one, is very relaxing. Your ears are more open to someone who is not a cantankerous bastard.
My first day on set [Bad Santa 2] was with Billy [Bob Tornton] and it was a sex scene in a Christmas tree lot and you know in order to make it great for the audience you just have to go for it! It was our sort of our icebreaker. There is something very freeing and fun about just playing make believe and it's just over the top and hilarious so you just go for it.
I just feel compelled to continue to be transparent. It just really levels the playing field and eradicates the shame that I have, or that one might have, about being human. So I'm going to just keep going.
As an actor, you are always waiting for someone else to be able to tell you when it's okay to work, and as a writer, you can just pick up your computer and start whenever you want. That is really freeing.
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