A Quote by Rhiannon Giddens
In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.
Related Quotes
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.
I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.
The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.
We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
I was always into bluegrass as a kid. Basically, I like music that has a basic simple structure and that has a lot of emotion and feel. Bluegrass and other old time music fits the bill, as well as what became punk - they both kind of have a similar framework.
A lot of great bluegrass comes out of Kentucky. There's a lot of great music, like the Judds, Billy Ray Cyrus, Ricky Skaggs, and Keith Whitley. There's a lot of bluegrass intertwined with country music.
Most of the music I've become interested in is hybrid in its originsClassical music, of course, is unbelievably hybrid. Jazz is an obvious amalgam. Bluegrass comes from eighteenth-century Scottish and Irish folk music that made contact with the blues. By exploring music, you're exploring everything.
Ireland and America, music-wise, are very closely related. The Irish came over with their fiddles in hand, and you can hear it in the bluegrass and rockabilly. I love it when music from different countries combine.
Shortly after I started in bluegrass, Ricky Skaggs and I got together and the bluegrass career just snowballed. Being 15 or 16 and making good money playing music was pretty attractive.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
There are so many wonderful, wonderful musicians in the world, I cannot possibly make a distinction between the fact that they might play classical music, or bluegrass, or Irish traditional, or Indian music.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician