A Quote by Rhiannon Giddens
Nobody can know what their legacy is going to be, you know?
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For me to give my advice to somebody who's thinking about going back to an ex or keeps on going back to their ex, you'll know when you're done. You'll know when you're finished with that person. You'll know when you're over them and ready to move, but nobody else can tell you that.
Nobody in my life has ever known me the way you do. Nobody in my life has ever made me feel as good as you do. You know me, you know everything about me, and when you leave me, you're going to be leaving the real me, the me nobody else has ever seen, that's who you're going to be rejecting.
Meditation is to attain to a no-mindness, to a state of no-thought. In that opening of no-thought, in that kind of space, suddenly you become pure, innocent, uncorrupted. You have never been like that before nobody has ever been like that before nobody is going to be like that again. Unique. And to know that is to realize one's self. To know that is to know all. If you have not known that, whatsoever else you know is just rubbish, garbage.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
You know, if nobody knows who you are, nobody's going to buy your record.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
I don't know how far, I don't know where I'm going to be or where I'm going to go, but I know this - if a team comes to grab me, I know they're going to get a special player, and I'm ready to show them what I can do and make sure I can contribute.
There are a lot of people - and time does this - who are going to be severely embarrassed for their bias and intolerance. And they're going to have to live with that; that's going to be their legacy. I refuse to have that as part of my legacy.
A lot of times, when doing the paranormal research and doing an investigation, you don't know what you're going to encounter. You don't know what you're going to come up against. People have to realize that we don't know them and they don't know us. I'm talking about the people that live in the homes. Sometimes you don't know what you're going to encounter, what type of situation you're going to walk into.
Nobody can know what's in my heart. Nobody can know what I'm thinking. I know what I've got to do.
Nobody really thinks that Bush or McCain have a real answer for the challenges we face, so what they're going to try to do is make you scared of me. You know, he's not patriotic enough. He's got a funny name. You know, he doesn't look like all those other presidents on those dollar bills, you know. He's risky.
I couldn't believe I'd come this far, lost Tyson, suffered through so much, only to fail - stopped by a big stupid monster in a baby-blue tuxedo kilt. Nobody was going to swat down my friends like that! I mean... nobody, not Nobody. Ah, you know what I mean.
Sometimes they're all collectively thinking, "Wow, we're kinda a shitty audience," and then if you point it out, it's kinda like, "Hey, I know what's going on. We know what's going on up here. Or what's not going on. And I'm letting you know that I know. And now we can fix this."
Nobody knows where jazz is going, because nobody has ever known where jazz was going. I mean, you couldn't possibly predict the Swing Era from the '20's or bebop from the Swing Era or Avant-garde from Bebop, or Effusion, or on and on and on. So, we don't really know where it's going.
That's one thing that's always, like, been a difference between, like, the performing arts, and being a painter, you know. A painter does a painting, and he paints it, and that's it, you know. He has the joy of creating it, it hangs on a wall, and somebody buys it, and maybe somebody buys it again, or maybe nobody buys it and it sits up in a loft somewhere until he dies. But he never, you know, nobody ever, nobody ever said to Van Gogh, 'Paint a Starry Night again, man!' You know? He painted it and that was it.
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