A Quote by Rhiannon Giddens

The question is not how do we get diversity into bluegrass, but how do we get diversity back into bluegrass? — © Rhiannon Giddens
The question is not how do we get diversity into bluegrass, but how do we get diversity back into bluegrass?
The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.
You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.
I think overall, from a deputy, from an undersecretary standpoint, the goal of a good leader is to get diversity across there. Geographical diversity is important. Industry diversity is important: you can't have all corn growers... Not only that, you've got gender diversity, you've got racial diversity.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
I knew I loved playing bluegrass, so I'd end up down there on Sunday nights at the bluegrass jam.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
There is a diversity of thought and philosophy, diversity of languages and dialects, diversity of political spectrum, and there's a diversity of taste for food. I don't label or characterize Jews in any way.
I'm just trying to unite the western crowd and the bluegrass crowd a little more. ... I get to do that again on my new album, Tall Grass and Cool Water.... This is the first time I've had every song on an album be a Bluegrass and Cowboy Song at the same time.
I have no doubt that most people who listen to Alison Krauss and say they like bluegrass have never heard real bluegrass played in the traditional manner, and probably don't even know who Bill Monroe is.
Shortly after I started in bluegrass, Ricky Skaggs and I got together and the bluegrass career just snowballed. Being 15 or 16 and making good money playing music was pretty attractive.
Shows like 'Empire,' 'Black-ish,' 'Scandal,' and 'How to Get Away With Murder' are expanding viewers' perspectives on what people of color can be like. They're showing more range. They're showing more diversity within diversity.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
I'm influenced by Django Reinhardt, Stephane Grappelly, Roland Kirk, John Coltrane, B.B. King, and then by bluegrass. But when I was 16, bluegrass wasn't cool. We was rock n' rollers then: Chuck Berry, Jerry Lee Lewis.
The only way we are going to get diversity is if the demographics of the decision-makers change... The odd-token bone thrown is not going to do it. Don't pat yourself on the back because you made that black drama; that's not diversity. It's got to be baked into the foundation of where the ideas flow from.
The bluegrass community... can be very strict. I didn't know if I'd be welcomed into the bluegrass community or not, but I think they judge you very fairly... I felt really welcome.
You get this overview effect where you realize how small we are and how fragile our planet is and how we're really all in it together. You don't see borders from space, you don't see diversity and differences in people on Earth.
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