A Quote by Rhiannon Giddens

When you are a commercial music artist, your music depends on your popularity. — © Rhiannon Giddens
When you are a commercial music artist, your music depends on your popularity.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
In independent music, you are the badshah and there are no restrictions, which allow you to embrace your true music. Whereas in playback, your first obligation is to your music director and then to your sensibilities.
I didn't get played on radio or TV for 3 years. They all told me the same thing: it was too urban. They don't see grime music as commercial music, but all music is commercial; it's how you make it. That's what I'm trying to say.
I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.
If you're true to yourself, it doesn't matter where you record your music or where you say you're from. I am an artist from Texas, proud to be from Texas, but I play my own kind of music, my brand of country music.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
The women used the music to get their men to relate to them better: "talk to me, tell me what's on your mind." Men used the music to get the girls in the mood to make love. So either way you had it, Barry White is the one artist who actually was in your bedroom with you at your most sacred, sensuous moment of your life.
Obviously, fans are the beginning and end for any artist. The minute your fans embrace you and accept you, you begin this ride of being in music and having a career doing something you love. You get to go be a kid and live out your dreams by performing music for fans who come out to your shows.
If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be. But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy. At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.
I think for me, the only depressing music is music that doesn't give credence to those kinds of feelings, music that's just written for money or commercial reasons. Sad music can be the most uplifting thing in the world.
Your understanding of music depends on your capacity to perceive it.
Country music is still your grandpa's music, but it's also your daughter's music. It's getting bigger and better all the time and I'm glad to be a part of it.
Don't listen to what anyone tells you about the kind of music you make. Just make it! Be yourself, make your own music, and be totally true to your art. Because it's kind of a selfish thing to be an artist.
We all have music in us - your heartbeat is your drum, your voice is your sound - and music is supposed to put you in tune with nature.
I make music to make you sick of fake music, hate music like devil worshippin Satan music. So say your prayers, your Hail Marys and Jesuses. Take two sticks, tape 'em together and make a crucifix.
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