A Quote by Rhiannon Giddens
I wouldn't be out here touring constantly if I didn't hope that my music was going to do something to somebody.
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When you're out on the road touring and touring and then making records, you're just constantly looking forward, constantly working. You don't really stop to look at where you are or where you've been.
I know for a fact that if I could do only music, I'd be out of my mind, insane. I'd be stressed-out; there's so much work. I mean, you work constantly; there are no breaks, really. If you're not promoting a record, you're making one. If you're not making one, you're touring. If you're not touring, you're doing photo shoots and prep work.
Touring is everything. Without touring, you're just another artist on the internet trying to get your music out.
It's hard if you're just touring constantly. It's like, "What am I going to write about? I'm in the van, I'm playing another show..." I'm still writing about heartbreak that happened years ago. I don't see the point of writing and putting out another record until I can do something else.
I find myself more affected by music the more I do it. Particularly when you're touring, and you're in the bus, and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place; you're constantly meeting new people. You almost become more sensitized to music.
I find myself more affected by music the more I do it. Particularly when you're touring and you're in the bus and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place, you're constantly meeting new people. You almost become more sensitized to music.
We're definitely hanging up the touring shoes but we'll do other things. We'll do an odd gig here and there but going out and actually touring for a month or two, we're not doing that anymore.
The hardest part about what I do, the most vulnerable place is my relationship with my family and Sara, my amazing partner, because I'm leaving a lot. And as a touring artist, I'm constantly coming and going, but also when I'm at home, my studio's at home. I'm leaving to go into a music world in my head.
If you are not going to produce albums then you are not going to produce new fans. It's impossible. I'm a huge believer in putting music out as quickly as early as possible, touring hard and then working on putting the next one out. I don't need to break. I just need to put a record out.
Music was my way out. School was the plan B, just in case music didn't work out. I didn't know it was gonna work out. I just felt like, 'If I'm doing these two things, something's going to get me up there. Something's going to make me successful.'
I definitely enjoy my time by myself - and that's kind of the weird thing about touring; you're kind of constantly surrounded by people - but I actually do enjoy going out and doing things and being around people.
There is a gambling element to being somebody who is going to take on the job of constantly trying to represent and prop up people who might be somewhat shady. That notion is probably part of how they got the rap. But, I have to find the balance of being colorful, being at times despicable, and also being somebody who does believe in something.
I figure if I keep my health, I have no intention of retiring. I love to work. I want to be like Bob Hope. I want to keep on going out and doing what I love to do. Of course, I'm no Bob Hope, but I mean that feeling that you never are old and have things to offer and can be useful to somebody. I always want to be useful, I have no intentions of retiring unless I should get sick or something should happen to my husband. Other than that I'm going to work until I fall over.
If I'm going to make music and put my heart and soul into this and dedicate my whole life to it, I want to be making something that 15, 20, 30 years from now, somebody is listening to and that is a staple of the time it came out.
Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.
I have a lot faith in the younger generation of music lovers. Youth isn't living in the past; if somebody tells them that there's something better than what they have, they're going to check it out. And if they like it, they're going to get it. I'm not worried about the youth. Young people aren't just looking back, they are also looking forward.
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