A Quote by Rhys Darby

As a man, you think, 'Hey, man, I want to be like Bond or Tintin.' — © Rhys Darby
As a man, you think, 'Hey, man, I want to be like Bond or Tintin.'
I think a woman's opinion on what her man smells like is very important, so I like to let a man know what I think about how he smells. I think going by personality is hard when trying to find a fragrance for someone else. It should come down to what smells good to you. I would tell my man, "Hey babe, I bought this new cologne for you," in the nicest possible way. But a man has to smell good. And not too much - just a little, that's all you need.
The Bond was so big and mighty in my career, and it is the gift that just keeps giving. I wouldn't be here today talking about "The November Man" if it hadn't been for James Bond. So, there was a desire, a want, and a need to make this film, "The November Man." I loved the title. It has a sensuality and a mystique to it.
Hey, hey, the working man, the working man like me. I ain't never been on welfare, that's one place I won't be.
I was inspired by all of it. 'The Avengers,' 'Harry Palmer,' 'The Prisoner,' 'The Man from UNCLE,' 'In Like Flint.' Of course, there's a huge shadow of Bond - Bond is the monolith of spy movies - but it's not just about Bond; there were a lot of other things that influenced me.
I can't say I'm a Bond girl because I'm too mature to be a Bond girl. I say Bond lady; Bond woman. But I'm proud to be a Bond lady, because actually, Bond is the most amazing man.
Kevin Nash came to me; he goes, 'Book, hey, Book, man, you know, this nWo thing is getting real hot, bro. And, man, we need some color, man.' I swear to God, that's how he said it! 'We need some color, bro.' He goes, 'We want to bring you in.' I go, 'Man, thanks, but no thanks. No way.' I said, 'I'm a solo act, man.'
I wouldn't like to see a female Bond, because we wouldn't want to lose the Bond girls. But we could have a lesbian Bond - why not?
In the '80s, when I was watching Bond films in the cinemas, Roger Moore was the man. I'll always have a soft spot for him. His Bond films were light-hearted and silly as well as action-packed. For me, this spoke volumes. It meant that, someday, maybe someone like me with a whacky sense of humour could be James Bond.
When I wrote the first [Bond novel] in 1953, I wanted Bond to be an extremely dull, uninteresting man to whom things happened... when I was casting around for a name for my protagonist I thought by God, [James Bond] is the dullest name I ever heard.
I believe that marriage is not just a bond but a sacred bond between a man and a woman.
Being just an actor, sometimes people are like, "Hey, man, we don't wanna see you no more, in front of the camera," and I don't want that.
I think whenever you have a common goal with someone, you're going to bond. It's really hard to get two people together and be like, 'Hey guys, why don't you just bond!' But if you say, 'Listen, I need you guys to build this house, or I need you to do this or I need you to make this movie,' you'll get to work and you'll get close.
When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.
I, the man of color, want only this: That the tool never possess the man. That the enslavement of man by man cease forever. That is, of one by another. That it be possible for me to discover and to love man, wherever he may be.
When I did 'Think Like A Man', I would run into people who were acting like it was the first thing I'd ever done. I was at the premiere of 'Think Like A Man,' and people were coming up to me, like, 'Man, you're going to get work after this, bruh.'
Wear what you want to wear. Do what you want to do. Be who you are. Pick out your own clothes. Be a man. And if that's too much to ask, as it almost always is for me, think of someone you consider to be a man and pretend to be like him. I pretend to be like my dad.
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