A Quote by Rhys Darby

I'm used to sort of improvising a lot when I do my comedies. — © Rhys Darby
I'm used to sort of improvising a lot when I do my comedies.
A puppet that starts to improvise badly is almost funnier than the puppet that's improvising well. So the show gets better when the improvising is really good, but also the show can also sometimes get better when the improvising sort of goes a little wrong and that's sort of a blessing to improvising with puppets.
A lot of people love the idea of improvising but are terrified of it, so I tried to make a book that was not a chef's book about improvising but a real home cook's book with a real home cook's pantry, supermarket ingredients, that sort of thing.
A lot of Christmas episodes of comedies are comedies trying to be dramas.
It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.
I used to sort of consider myself a feminist, an environmentalist, and I still have some of that in me, but I've done so many offensive comedies, I'm now worn down to a little nub of... nub of an activist.
I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
A lot of comedies fall apart because they just go from joke to joke, and the characters are all sort of being crazy off on their own.
I'm used to doing independent film where the style is a lot more casual. With improvising, you obviously find so much out on the day - and in a way, I feel more comfortable doing that.
I used to watch the 'Jackie Gleason Show' and Phil Silvers, those early TV things. And a lot of them were patterned on the silent comedies of the '20s.
A lot of my comic influences are distinctly American: Woody Allen and Bob Hope, for example. They were always the underdogs who were using wit to sort of battle their way through. And it seems to me that a lot of contemporary U.S. comedies are shot through with losers. None of the characters in 'The Big Bang Theory,' for instance, are studs.
I love good romantic comedies. There just aren't a lot of them. But, I love comedies, and I'll never stop doing them.
I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.
Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
I think in a lot of romantic comedies it ends with a kiss, and I feel like in modern day relationships, and maybe just my own experience, it starts with a kiss and then all sort of falls apart and then comes together.
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