A Quote by Rhys Ifans
I've been to unpretty places with the roles I've played, and I'm attracted to reckless abandon. I like being taken to the edge of my own abyss.
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Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
The majority of the roles I've played are women who have been either impoverished or subjugated in some way. So while I've been fortunate enough to have success because these roles exist, they are stereotypical roles.
I'll tell what reckless is. What reckless is is calling [Bashar] Assad a reformer. What reckless is allowing Russia to come into Crimea and Ukraine. What reckless is is inviting Russia into Syria to team with Iran. That is reckless. And the reckless people are the folks in the White House right now. Barack Obama and Hillary Clinton are the reckless people.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
We are at the edge of an abyss and we're close to being irrevocably lost.
At one stage of my film career, between 2007 and 2010, I had taken up many projects where I played the role of a police officer. Later, I deliberately took a decision to not do any police roles. Since then I've been growing my hair and beard so that I'm not roped in for any such roles.
In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.
It's not reckless, because when we leap, when we dive in, when we begin, only begin, we bring our true nature to the project, we make it personal and urgent. And it's not abandon, not in the sense that we've abandoned our senses or our responsibility. In fact, abandoning the fear of fear that is holding us back is the single best way not to abandon the work, the pure execution of the work. Later, there's time to backpedal and water down. But right now, reckless please.
I guess I'm attracted to these off beat roles because my life has been a bit abnormal. The only thing I have a problem with is being labeled.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
Of all the roles I've played, none has been as fulfilling as being a mother.
Oh my god. I just hung around with an unpretty person. Excuse me while I go home to scrub myself with expensive body wash and a pink loofah, to rid myself of the unpretty germs.
I may have played romantic roles, but each character has been different, with his own personality.
I've liked different women at different times in my life. I've been attracted to white women. I've been attracted to black women. I've been attracted to Asian women. I've been attracted to various subspecies of women. I can say with gratitude that I've been able to experiment.
Everything I do, I do with reckless abandon.
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