I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
I'm running because Hoosiers deserve a senator who sounds the same on the factory floor as he does on the Senate floor.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
I love live theater. I get my rocks off by doing stand-up, and I am the only actor. But to show up eight times a week and not have that time for myself; to do someone else's lines? When I work for Wendy Wasserstein or Terrence McNally, Neil Simon or even Shakespeare, I do not have the right to change the lines.
Every time, the mindset I get when I get on the floor is that I'm the best player on the floor.
It's easier for me to act in Spanish, but as soon as I get the lines in English and I know them by heart, it becomes really easy. You don't have to worry about the language anymore. It just takes more time. In Spanish, I can learn lines in 10 minutes. In English, it's going to take an hour.
If you want to be an actor, my advice is to learn your lines and don't bump into the other actors.
Psychologically, you learn the values that are inherent in the dialogue, and you learn to apply it to the way you read the lines. That's acting. You're not yourself saying those lines, you're somebody else.
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
Oh yes. I'm an actor, so I just learn my lines, and show up and do it. I gave it a little bit of thought.
I'm only an actor. I'm not a writer. I'm not going to leave any legacy. All I've ever done is learn the lines and say them.
As an actor going into screenwriting, I was able to understand what type of dialogue feels natural. A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.
Honestly, a lot of the time, I'm like, 'Oh, my god, I've got so many lines to learn,' that I have to focus and get in into a bit of a zone, but there are always moments to have some fun.
As an actor - and I say actor, but actress or actor, whatever - I've had to learn to be very open about what I want. I ask for it, even if I may not get it. I feel like it's worth the ask.
I wrote my first book in a toilet in a factory where I was a floor sweeper.
The message is that all brilliance emanates from the top; that the worker on the floor of the store or the factory is insignificant.