A Quote by Rhys Ifans

I'm a real magpie when it comes to music; it's all random, and there's no pattern to what I like. — © Rhys Ifans
I'm a real magpie when it comes to music; it's all random, and there's no pattern to what I like.

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I like digging around. I'm a real magpie. I used to raid the old music shops in the early '50s in Paris and Brussels. You could pick up some incredible and often valuable music for almost nothing back then.
Because one does not want to be disturbed, to be made uncertain, he establishes a pattern of conduct, of thought, a pattern of relationships to man. He then becomes a slave to the pattern and takes the pattern to be the real thing.
There's a pattern when tours start - a pattern of infighting, of making up, of breaking up, of addiction. There's a pattern of going to jail. There's a pattern of passion for music.
If I should throw down a thousand beans at random upon a table, I could doubtless, by eliminating a sufficient number of them, leave the rest in almost any geometrical pattern you might propose to me, and you might then say that that pattern was the thing prefigured beforehand, and that the other beans were mere irrelevance and packing material. Our dealings with Nature are just like this.
My best friend was a magpie goose, and my magpie goose would follow me around, and we'd dance in the zoo together. Then I'd be covered in mud!
What's invaluable about actually going to the places you want to write about are the random accidental things that happen. Random, accidental detail is the best way to make a setting convincing. You can of course invent your own random details, and sometimes I will also mash up real incidents.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
Music is a lot more like solving an intricate puzzle with moments of pure, random creative bliss... whereas painting is much more purely random creative bliss with moments of problem solving.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
Sometimes I will click on a random sequence of notes- not to actually use it in a song, but to see if I can find maybe a simple pattern that I can build off of.
I like sparkles; I think I'm a magpie.
Sometimes I get, "Have you ever thought about doing real music?" I like to think the music I do is real, it just happens to be funny.
Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose.
I have a magpie mind. I like anything that glitters.
When you listen to my music, you're going to know that you're getting the real me, my real thoughts and feelings... I want people to be like, 'Oh, he's fresh out with his music for it to be this good.'
I make the music as if I was scoring it. I do my best that the sounds will fit the theme of that track, but then there are many other times where it can be random and things happen for no reason, just for fun! A storyline can let me organize changes in the music better, like acts in a play.
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