A Quote by Rhys Ifans
When you act, you've got to be like a poet or a musician. It's not about evidence before court. It's not a forensic subject. It's poetry; it's a completely different place.
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I wrote poetry for seven or eight years, maybe longer, before I could say I was a poet. If people asked, I'd say I wrote poetry; I wouldn't go further. I was in my mid- to late-thirties before I felt that I was a poet, which I think meant that I had begun to embody my poems in some way. I wasn't just a writer of them. Hard to say what, as a poet, my place in the world is. Some place probably between recognition and neglect.
There is a beauty in discovery. There is mathematics in music, a kinship of science and poetry in the description of nature, and exquisite form in a molecule. Attempts to place different disciplines in different camps are revealed as artificial in the face of the unity of knowledge. All literate men are sustained by the philosopher, the historian, the political analyst, the economist, the scientist, the poet, the artisan and the musician.
My act now is completely different. I took two years off when I first got with my wife and it was because my old act was all about "Where's the party after this?" I was humping the stool and it's all so disgusting and I was miserable, miserable in a lifeless angry marriage. Then I met my wife and I was completely happy. Like a snake that sheds its skin. I just got rid of all of that negativity.
In reality, those rare few cases with good forensic evidence are the ones that make it to court.
I loathe the trivialization of poetry that happens in creative writing classes. Teachers set exercises to stimulate subject matter: Write a poem about an imaginary landscape with real people in it. Write about a place your parents lived in before you were born. We have enough terrible poetry around without encouraging more of it.
I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
The Muslim Arbitration Tribunal, if you look at its website, it basically deals with commercial disputes, it's not allowed to deal with matters involving children, it's not allowed to deal with criminal matters, it's subject to judicial review, it's subject to the Human Rights Act, it's subject to the Children's Act, and it's completely proper and right that it should be subject to all those things.
I didn't read poetry seriously until college, when I really began to devour it in a very intense way. I also discovered that a poet is a maker. Before that, I thought a poet was someone who wrote about his own experiences.
Michael Jordan on the court is a completely different guy. If the play requires him to leap out all the way and grab the ball, that's what he'll do. He may be a completely shy, withdrawn sort of person [off the court].
I have never concealed the fact and said it before the court in 1938 that I came from an anti-Semitic past and tradition... I ask only that you look at my life historically and take it as history. I believe that from 1933 I truly represented the Lutheran-Christian outlook on the Jewish question - as I revealed before the court - but that I returned home after eight years' imprisonment as a completely different person.
It is not the practice, now will I allow subversives to get away by insisting that I’ve got to prove everything against them in a court of law or [produce] evidence that will stand up to the strict rules of evidence of a court of law.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
John Kerry presented his confidence and his convictions. It's not about confidence, it's about evidence. The Russians have completely opposite evidence that the missiles were thrown from an area where the rebels control. This reminds me - what Kerry said - about the big lie that Collin Powell said in front of the world on satellites about the WMD in Iraq before going to war. He said "this is our evidence."
Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder. These shows like Forensic Files, City Confidential, I just can't get enough of them. It's always the same sort of deal. You know that they interview the actual people that lived through the experience. I miss Paul Winfield as the host of City Confidential, may he rest in peace.
I like to come up with lots of different sounds. So the final version of a song might have been 10 completely different songs before we finally got it right.
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