A Quote by Rian Johnson
Storytelling wise, you've gotta take it as far as you can possibly take it with each individual movie. If you're holding out something for a sequel or some cliff-hanger, that's not how I think of a satisfying story.
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In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
I've seen such great material, and now I'm more picky with the type of jobs that I take because it's gotta be there. There's an old theater saying: 'If it's not on the page, it's not on the stage'... You gotta have some type of standards as far as the jobs that you take and the roles that you take on.
I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to do a sequel to it' at one point.
In film, you have to present everything on the screen so it's the opposite of what I usually do with storytelling. It forced me to think about how people walk, where they sit at that moment. With Princess of Nebraska, it was just fun to watch because the movie was so far from the story. It was very much a different story.
To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously.
The crowd is the crowd. You're gonna take them as an individual performer how you take them. The key is how do you learn from them. How do you use whatever is happening reaction-wise to get better.
I think there are some people that are capable of making a sequel more special than the original. And we have seen that when the original 'Terminator' came out, then Jim Cameron outdid himself with the sequel. Then it became the highest grossing movie of the year when it came out in 1991.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
Sometimes I take a movie that I know is not great; it's not great on the page, but I need to work. Sometimes I need to make the money. I need dough. I want to work, and so I'll take something that is compromised in some arena. But it's like, actors gotta act.
We gotta stop fighting amongst each other. I think the only rift should be when take it the stage and try to out perform each other.
I always take a story that's kind of out there, like an urban myth. I take some possibility that people imagine, that they are familiar with, and try to turn it into a story.
I think it has something to do with being British. We don't take ourselves as seriously as some other countries do. I think a lot of people take themselves far too seriously; I find that a very tedious attitude.
I love to take some holidays. In fact, I am a guy who wants to take a break for at least 10 days after each movie.
I need a hero, I'm holding out for at hero 'till the end of the night He's gotta be strong and he's gotta be fast And he's gotta be fresh from the fight I need a hero, I'm holding out for a hero 'till the morning light He's gotta be sure and it's gotta be soon And he's gotta be larger than life, larger than life
Maybe in my personal life, but as far as my career, I've been offered some humongous things in my career and didn't take them. I look back and think, oh man, well I'd have been well off monetarily wise, but artistic wise I don't know. I'd have to say, personally, in my personal life, yeah, but in my musical life, on twenty-twenty hindsight I would say just take the good with the bad.
Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
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