A Quote by Rian Johnson
If I spend a year and a half writing a script, the first year will be outlining in notebooks. It's just the way I work, definitely not necessarily the best way.
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I established my first writing routine when I was 13. The school year had just ended, and I'd won a stack of books for being the best student in a number of subjects. The pile included several 60-leaved notebooks that I decided to fill with short stories.
I looked at the pilgrims coming to America. In their first year, they decided to try a communist experiment. And the first year of the pilgrims, they established this socialistic concept: 'Well, we have all this land before us - let us all work it together.' Oh, how wonderful it sounded. 'Let us all work it together, and we will share in the produce of the land.' They almost starved to death! Almost half of them died, that very first year.
Writing doesn't come real easy to me. I couldn't write a novel in a year. It wouldn't be readable. I don't let an editor even look at it until the second year, because it would just scare them. I just have to trust that all these scraps and dead-ends will find a way.
I love to not work. I love to go to the movies, I like to travel... I think I work maybe half the year. Sometimes, people think I've done three films in a year, but it's because I did a participation [cameo?] in a film. But I work for half a year, no more.
That's the NFL: Not For Long. First year's a welcome year. Second it's, What are you going to do? Third year's like, Well, you didn't do much last year; give us something or you're going. That's the way it is. They'll trade you or they'll cut you.
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
My stubbornness helped me for the first half of my career; I had that real determination to do it my way - I know the best way. That helped me from a 14-year-old to 25 in getting me to where I got to.
My total year's income from working as hard as I possibly could from writing went from like $30 one year to about $70 the next year. And it made me realize that maybe you couldn't really pay the rent that way.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
If I had means, I would like to spend half a year in Palestine in order to contemplate what has been, and half a year in Poland in order to preserve what remains.
I'm gonna make sure everybody get their justice. This the year for business, this the year for my book, this the year for the movie and this the year for getting even. I'm on my way.
There's something so relentless and foul about Hitler and his people, and the way things progressed from year to year. It just got to me in the strangest way.
You want every senior go out like the seniors did last year having the best year of their career. But that's not reality. It's not going to work that way for everybody. But I think Moe's attitude has been fantastic.
People will set a New Year's resolution: "I'm gonna get in shape this year." But they don't set a parameter for how they're gonna measure it. Or if they do measure it, they wait until the first day of the next year. You'd never run a business that way. Document your progress.
Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
I think the writing on the wall is definitely there this year that this is probably our last year.
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