A Quote by Rian Johnson
I think what I love about science fiction and what sci-fi can be really good at is obviously you're working with outlandish concepts that have very little to do with the real world, like time travel for instance.
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The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
Sci-fi uses the images that sf - starting with H.G. Wells - made familiar: space travel, aliens, galactic wars and federations, time machines, et cetera, taking them literally, not caring if they are possible or even plausible. It has no interest in or relation to real science or technology. It's fantasy in space suits. Spectacle. Wizards with lasers. Kids with ray guns. I've written both, but I have to say I respect science fiction enough that I wince when people call it sci-fi.
I've loved science fiction my whole life. But I've never made a science fiction movie. And it's [World Of Tomorrow] sort of a parody of science fiction at the same time. It's all of the things I find interesting in sci-fi amplified.
China lacks good science fiction, but not mediocre science fiction. Even so, the gap between Chinese and American sci-fi is still very large and it is most apparent in quality of the works.
There are so many sci-fi fans and it's such a big business now. So many people love sci-fi, and they're so loyal. I would be lying if I said that the fact that I had been on a very popular sci-fi show and had some recognition in that world didn't help me get the job on another sci-fi show.
I love sci-fi and period pieces - it's fantasy. I can let myself dream a little bit. But also, I just really love science. I love knowing about how the world works.
I've actually found that most of my jobs have been in sci-fi. I realized it because sci-fi has the biggest fan following. Every time I do a play in London all these sci-fi fans come out. They ask me to sign things from all these little projects that I did. I hadn't even made the connection. It doesn't always have a spaceship and guns; sci-fi has been projected on in someway. I did Never Let Me Go, which is sort of Star Trek-y. It's about the future and training humans. It's sci-fi too. It's such a broad umbrella.
I did one sci-fi movie. I did 'Gattaca.' I liked 'Gattaca' because that was always the kind of science fiction I really dug, the non-action oriented sci-fi.
I've done a lot of sci-fi, so I was a little hesitant because you get pigeonholed into that genre and world. But at the same time, I love sci-fi because the women are so strong and independent and smart.
I feel like we've found an interesting little corner of the sandbox here as far as the way we're telling sci-fi stories. I don't think it's limited to sci-fi - I think anything fantastic can co-exist with people you and I know, and not these hyper-real movie people.
I like the Sci Fi channel and 'Science Fiction Theatre.' I've been doing a lot of television-watching and thinking about good songs to write.
To be honest, I wasn't a sci-fi geek at all. But I do love a good sci-fi film, especially one that can really take you away. And I read some reality-bending novels growing up, like stuff by Vonngeut, so I already had one part my brain open to the unnatural and unusual, and it's generally fun to venture into that world and film in it.
I was always like, 'No, I don't like sci-fi,' and then I started watching it and thought, I didn't know that's what it was. I think I'd somehow got it confused with action and space-travel action - that sci-fi could only be like 'Star Wars.'
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.
I have to say, as a young woman of color, and this may sound controversial, in sci-fi, anything is possible. In sci-fi I can belong to the military. In sci-fi I can have an interracial love affair; I can be a revolutionary.
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