A Quote by Rian Johnson
The momentum of production keeps you from giving up, so it's really the editing and writing phases where things can look bleakest.
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Ever since 'Strange Heaven,' I haven't really reread my old work. Not so much because I don't like the writer I was, or because I find flaws in the writing, but more because I get so burnt out on a novel once I've finished writing, revising, editing and copy editing it that I genuinely never want to look at it again after it's gone to press.
When you're that successful, things have a momentum, and at a certain point you can't really tell whether you have created the momentum or it's creating you.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I just have to come clean and admit I am an extremely, painfully slow writer. I have this unfortunate - or fortunate, I'm not sure which is correct - habit of editing while I'm writing which everyone tells me that I shouldn't do that. But that's just the way I write and I think it's important to stay true to your own writing style and momentum.
I tend to look at things from the supply side, looking for ways to make it less expensive to do more production. I think that's what creates a demand and keeps an economy moving.
The records I make, I'm there from the writing of the first note through the click tracks to the miking of the drums to the editing of everything to the production to the vocals to the artwork.
In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.
Writing one's first novel, getting it sold, and shepherding it through the labyrinths of editing, production, marketing, journalism, and social media is an arduous and nerve-wracking process.
Several years ago, as I was transitioning from film finance to film production and writing again, someone asked me how long I would try to get back into filmmaking before I gave up? My response was "giving up" was not an option.
Always, at the end of every book, there are things you will be unsatisfied with, and still more things that later on you will realize were not right. But mistakes are part of what a book is. That itchy, dissatisfied feeling at the end of a novel is useful. It's what keeps you writing and gets you writing the next one. It's what keeps you learning.
Teaching and editing have helped me enormously, and brought wonderful people into my life. When I see an author I'm editing struggling to bring a flash of an idea to the page, or notice a student's hands shaking as they read something they wrote out loud for the first time, it keeps things in perspective. How vulnerable we all are. How hard it can be to open the door.
I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.
I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.
There's so many good things I have to look forward to in life and new opportunities that arise every day because of my association with Michael Jackson. I mean, he is the gift that keeps on giving.
I get up to write while it's still dark, 5 or 5:30. I start by editing and rewriting everything I did the day before, and that gives some momentum for the day.
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