A Quote by Ric Ocasek
Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore
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Once they're on paper, they're gone. I like to do as much with the words, as far as image goes.
I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.
Caron, Even though you just got here a few months ago, We've grown so close over these last few weeks And, I can remember, When you first got here, You wrote a piece of paper in my locker... I don't know why I'm crying so much man... You wrote a piece of paper in my locker that said, "KD MVP." And that's after we had lost two or three straight. And I don't really say much in those moments, But I remember that. I go home and I think about that stuff man. When you got people behind you, You can do whatever. And I thank you man, I appreciate you.
Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
There are some people who are way too sensitive about things. If you're not using the vocabulary that's new that they've helped define, then you're not on their team, even though you want to be. And at the same time, the fact that our president Donald Trump said on record, "You could just grab women by the pussy," and a lot of people in America were like, "Yeah, it's fine, that's something that's said..." There are people that are not sensitive or aware enough about other people and what that means.
[I want to be] Something that really touched you - and as far as image and change goes, I just really want a lot of people to respect my music and treat me... [as] inspiration.
When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.
Build. Transform. Love. These are words I use all the time as we speak about community building and even real estate development because these are the kind of communities, like, we want to show you don't have to move out of your neighborhood to live in a better one. And when people think about living in a neighborhood, they are not thinking about fight - the community of their dreams, they are not fighting in it, they are not struggling in it. It's not, "Oh, I gotta put on my armor." All the time. I don't want to live like that. I don't.
People still text me to say that there is something about me in the paper, and what really annoys me is that if it's nasty, I then have to go and have a look, even though actually I don't want to know.
I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.
The Iranian government has become pretty open about the drug problem in recent years. Opium use is a very traditional, cultural thing in Iran, so the government is actually more open about it than they are about some of the other ills in society. They just don't want to talk about things that might relate to a Western lifestyle even though they know that Iranians indulge. Because there is no real public life left in Iran - people go and have dinner and then everything retreats behind these Persian walls.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
'Fantasy' is one of the fewer tracks where it's more literal than most of our things, but at the same time it's totally open-ended. Clearly it's a song about things not really appearing as you want them to, or things either getting what you want and not being satisfied with it because it wasn't how you hoped it would be, or thinking you want something and not getting it and the realisation of that.
I want to learn something from my atheistic brothers and sisters, even though I'm a Christian. I want to learn something from my right-wing brothers and sisters, even though I'm a progressive. I want to learn something from the elderly, even though I'm middle-aged or tilting toward the elderly. I want to learn especially something from the youth. That's why I spend a lot of time in hip-hop studios.
I don't want to fail, of course. But even though I didn't know how bad things really were, I still had a lot to think about before I said yes. I had to consider the implications for Pixar, for my family, for my reputation. I decided that I didn't really care, because this is what I want to do. If I try my best and fail, well, I've tried my best.
I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.
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