A Quote by Ric Ocasek

I don't think I'm an entertainer. I never think, 'Wow, I can't wait to get the crowd moving.' Some of my favorite bands never moved an inch. — © Ric Ocasek
I don't think I'm an entertainer. I never think, 'Wow, I can't wait to get the crowd moving.' Some of my favorite bands never moved an inch.
I think I'm more entertainer than musician. I like to get with the crowd, make this night special for them.
When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, 'Oh, wow. I could say this some day on stage.'
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.
Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
I blame it [never taking a break] on my mother. She was a born entertainer. Leave the songwriting, the singing and all that behind, and I still would have found some way to be an entertainer. I would have never been an actress, though, because I realized early in my life, in like sixth grade, I was a terrible actress.
For new bands, I think a major label is the safest place to be. Independent labels are the ones getting away with murder. A lot of them are hobbyists who rip-off young bands, taking advantage of people who would never get signed to a major.
I think it would be so fun to do some kind of comedy, something - I'm not exactly sure, but something like I just did Moliere's "Tartuffe" in class, and wow, what a stretch. Why go to classes? I get to play in Moliere's "Tartuffe," and I could never - nobody would ever think that they would be, I'd be right for that.
I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".
I think that’s the lesson you learn in life. As you get older you realize you’re never going to grow up and you’re never going to be ready. And you may, as well, do things now, don’t wait
The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.
I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it. What do I do in that situation? Get through it.
Don't want to discuss it, I think it's time for a change You may get disgusted, some think that I'm strange In that case I'll go underground, get some heavy rest Never have to worry, about what is worst and what is best.
I guess show business is a lot like baseball: "Wait until next year!" You just never know. Some of the shittiest shows I've ever seen run forever, and some of the best things never get a chance.
With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'
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