A Quote by Ricardo Montalban
Hollywood does not write parts for people like me, an elderly gentleman, and when they find out you're crippled, forget about it. No, I'll never work again.
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Anxiety is so pervasive in my work, it's like it's not even a thing because it's always there. Like air. I have to work through a layer of anxiety to get to anything else. It's embarrassing to me when people point out to me all the anxiety I portray in my work. I don't ever want to write about anxiety again but it'd be like leaving a huge gap in the picture.
Basically it takes me very little time to write a song. If I find myself taking more than an hour to do it I usually forget it, and try something else. I like to work quickly; I never like to waste any time. I never write half a song and come back to it later at all. It all has to be done at once. I lose interest if it doesn't.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
I just write all the time. In my whole life I've never had what I've heard people talk about writer's block. I've never had that. Life is like a song to me. I just hear everything in music, so I have never once thought "Well, I'm never gonna be able to write again." I've got thousands of songs.
Most of them... most of us never figure it out. Bad dream, they think, or good one. Funny rash, never really goes away, but Doc says it's fine, nothing to worry about. Why dwell on it? But some people, they just can't let it go... Some people drink themselves out of school trying to find it again, trolling through bars where the shadows are so greasy they leave trails on the walls, just to find a way in, a way through. Some people forget too that you're supposed to stop sleeping, you're supposed to have a life in the sun.
I find often in Hollywood there are many people who play themselves really beautifully. And certain parts are not that dissimilar from who you are as a person. And there are other parts where you would like to think that you have nothing in common with those characters, but you probably do have more than you think.
If you want to write something of length, however modern and radical, you must live the life of an elderly gentleman of the 1950s.
I've never written anything that I haven't wanted to write again. I want to, and still am, writing 'A Few Good Men' again. I didn't know what I was doing then, and I'm still trying to get it right. I would write 'The Social Network' again if they would let me, I'd write 'Moneyball' again. I would write 'The West Wing' again.
To me, the coolest riffs are composed of two guitar parts that interlock like gears. You need both parts to make whole. I work things out on an electric that's not plugged in to make sure a good tone isn't forgiving a part that couldn't stand up naked. Only after the parts are written will I struggle to find a tone that supports the creativity.
A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the other parts.
Forget them, Wendy. Forget them all. Come with me where you'll never, never have to worry about grown up things again.
There are no Hollywood stars speaking out for the elderly. They're forgotten, bewildered, and I don't think it's because people are cruel or don't care. It's because you don't want to think about your own mortality. I think people don't talk about it enough.
It always amazed me - it still does - that people offer me work. And when the theater was my basic bread and butter, every time a show finished, I was convinced I would never work again.
When I was young I had an elderly friend who used often to ask me to stay with him in the country. He was a religious man and he read prayers to the assembled household every morning. But he had crossed out in pencil all the passages that praised God. He said that there was nothing so vulgar as to praise people to their faces and, himself a gentleman, he could not believe that God was so ungentlemanly as to like it.
I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.
Then I repeated these words to my spirits: 'Leave me be; give me peace; and let me do the work of my life. I will never forget you.' Something about that incantation was particularly appealing to me. 'I will never forget you'-- as though one had to address the pride of the spirits, as though one wanted them to feel good about being exorcised.
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