A Quote by Ricardo Rossello
I saw my dad work hard and then would see and know his interest and intentions, and that wasn't necessarily the narrative you would see in the press.
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I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
You know, I went through the whole blond hair bit. And dad took me to see The Police when I was 13. And I was like, this is a cool band, dad. See this is a cool band. And I felt bad for years because then a year later... I never had a chance to tell him how great I think was. After he passed away, I would go and listen to his music.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
My mother tried really hard to protect us, but occasionally, after afternoon cartoons of whatever was on... the nightly news would come on, and I'd see footage from the war zone, and I would hear the word 'Vietnam,' and I would know my dad was over there, and it was a very frightening experience for me.
I saw Dad's eyes widen just a fraction when he heard my voice catch. He glanced at me but quickly turned away. He didn't want me to see his reaction, but I did, and I'll never forget it. In that brief glimpse, I could see what he was thinking behind that fixed stare. There would be no grandkids, there would be no more Creed family bloodline, nothing else to look forward to. From that point on I'd become the last, most devastating disappointment in what he thought his life had added up to--one overwhelming failure.
You cannot see what I see because you see what you see. You cannot know what I know because you know what you know. What I see and what I know cannot be added to what you see and what you know because they are not of the same kind. Neither can it replace what you see and what you know, because that would be to replace you yourself." "Hang on, can I write this down?" said Arthur, excitedly fumbling in his pocket for a pencil.
I don't think there's just one person for everyone. It would be very hard for me to be with a guy who was not bright or funny. And he'd have to see the absurdities of the world, not exactly as I see them necessarily.
My dad would leave at 4 or 5 in the morning and then I wouldn't see him until evening. The conversations we used to have, he would tell me, 'A man takes care of his home first. A man handles his responsibility. He doesn't ask another man for anything.'
If I played badly as a kid, my dad would tell me, and my mum would say, 'You were brilliant today'. It's nice to have both: when I need a bit of confidence, I'll see her, and if I need to hear it straight, I'll see my dad.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
If a director says he doesn't care how many people see his films at all, I simply don't believe him. Otherwise why would he bother to make the film? The only explanation would be that it would be an act of masturbation. I think that every creator is looking for a receptor. He's looking for an audience. There are two parts of the equation: a creator and, necessarily, the receiver of the work. It's the same thing for a painter who wants his paintings to be seen.
My dad and I would go to Blockbuster and look for Asian films and we could never find any. If we saw a Jackie Chan movie we would watch that because it was so comforting to see a face similar to ours.
I don't necessarily call myself a psychic, but since I was a little girl, I would dream about things, and then I would tell my dad, and it would happen the next day.
I remember that my mom, my dad and I would play different roles in mock debates, where one of us would be the moderator, one of us would be my dad - frequently not my dad - and then one of us would play his opponent.
One of the things I did, I would go, 'Dad, I know you don't know how to work YouTube, but wait until you see this concert. I found Hank Williams in 1940. And look at this.' Then that brings on memories and it brings happiness and it gives him a little extra breath in life.
I didn't know my dad for a long time. My dad was on drugs and my dad was at the VA Hospital, my dad was off in his own world selling drugs or using them or there would be crack heads in the house or whatever it would be.
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