A Quote by Riccardo Tisci
If you buy a Cartier ring you want people to know it is a Cartier ring or a diamond, or a piece of art that's giving an emotion - then people read it and say, "wow that's really amazing". With prêt-à-porter you see people in the street, in a club, in a restaurant or whatever, and you think, "Oh my god, he's wearing my trousers!" In a way it's more open - people can put together the way they want - mixed with other designers.
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When I do a show I have such high emotion; the energy is amazing - but, people don't really see the details and the work and the experimentation that we, the designers, put into the clothes. With prêt-à-porter you're having a look.
I got this tiger head ring that's similar to a Cartier ring. I had my jeweler Sean from Detroit make it similar to the Cartier ring, but gold and diamonded-out. That's my Detroit tiger. It's made with two different golds - the bottom is yellow and the top is gold.
I think the future fashion will be more and more separated-like, on one side would be big distribution, and on the other side there will be high-level prêt-à-porter and couture. I mean, the prêt-à-porter is already couture in a way for the prices and the way that it's made. The big distribution will allow people to dress in a fashionable way, so this could be for everybody. This part of the big distribution will be stronger and stronger, but the other part we are coming up on is more and more rich people, because we are always thinking about Europe and about America.
I think I first encountered Ebola from the movie 'Outbreak.' Then there was the book 'The Hot Zone.' It's the type of thing you either read and say, 'Oh wow, that's terrifying,' or you read it and say, 'Oh wow, I want to do that.' I read it and said, 'Oh wow, I want do that.'
I really think people are greatly stimulated and enriched by experiencing in film just as we can from novels and other art, experiencing things that resonate with what our lives are about. I think people really want to know... want to share, want to have the stimulus to think and care about the way they live their lives, the way they relate to other people, their aspirations, their hopes, et cetera.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
The way to get people's votes is to say that all their problems are caused by other people, and that you will stop those other people from giving them trouble. But if you really want to help, then you can tell them the truth and risk losing their votes.
People want to see real skill level, real Jiu Jitsu, real boxing, put together and mixed up. They want to see mixed martial arts. They don't want to see five minutes of holding. I think there should be points deducted when you do that.
I want a voice. I want people to know who I am and hear my story. I want people to see me get in the ring and give it everything I have, even though I come from a broken home.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
I don't know if people come to the shows of the Raveonetteswith any certain expectations. I think that we have fans who know that we're not... hugely entertaining in any way. We don't put on a show, so to speak. We basically just play the music the way it's supposed to be heard - very loud, in a packed club, and in a good setting. People can stand still with their eyes closed, or they can dance. They can do whatever they want. We don't care.
When you do RAW or Wrestlemania or a PPV where there's 10,000 people or more, you don't necessarily look at the people. The only time there's a realization that there's that many people is when you walk to the ring. Once you get in the ring, your focus is only on the ring, and maybe the front few rows.
When we're talking about people not wearing clothes or being naked or whatever, that's a whole lot of people. And I said this: if that's their thing, and they feel comfortable doing that, then whatever; that works for them, but you don't have to go that route if you don't want to. We don't want people to think that that's what you have to do.
There is no way, absolutely no way, that I would want people to stop reading the 'Odyssey.' But I want them to read it with their eyes open. To notice it and then to think what it says about us.
For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.
I think recognition outside of Japan is amazing. I don't feel like that kind of thing would ever happen to me, as I'm not like those kinds of designers - I don't want to express myself in such a categorized way. I kind of want to be in the middle of the majority and the minority. I don't really want people to know what I am.
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