A Quote by Riccardo Tisci
Couture is also a matter of respect. In the end, all of these women sewing and embroidering the clothes, whom are almost all my mother's age, they're all 70 or 80 years old, have been here for a lifetime. They spend hours on it and come up with solutions. And because it's on a catwalk, people see if for five seconds and don't even see the technique, the drapery.
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I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
Elephants can live to an age of up to 70 or 80 years and they have a good memory. It could be they come across an area that is experiencing a drought. Then they continue on their path and run into people.
People spend hours constantly checking and tweeting and Facebooking. And it's cool to check up on your friends and see what's going on in the world, but it's not cool to spend five hours of your day on the computer looking at the Internet.
The mediocre mind has no capacity for understanding. It is stuck somewhere near thirteen years in its mental age, or even below it. The person may be forty, fifty, seventy years old - that does not matter, that is the physical age. He has been growing old, but he has not been growing up. You should note the distinction. Growing old, every animal does. Growing up, only a few human beings manage.
If women were once permitted to read Sophocles and work with logarithms, or to nibble at any side of the apple of knowledge, there would be an end forever to their sewing on buttons and embroidering slippers.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
When I went to see Valentino in Rome, I discovered 120 women in these ateliers who sew $100,000 dresses. There are no sewing machines. It's all done by hand for thousands of hours. It's a dying art and Valentino is really the last practitioner, the last person at the top of his house, which is why I called it The Last Emperor. That world is gone. You can almost see it slipping away as the cameras are rolling.
I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.
When I was 9 years old, growing up in Denver in the 1960s, I'd spend hours listening to my friend's mother's record collection.
I want to live 50 more years. I'm 33 years old... and I want to live to at least be 80 and see my kids grow up and see my grandkids. That's important to me.
Absolute 80's is three hours of mainstream 80's music. I also do New Wave Nation that is more cutting edge. It is more punk stuff from the 70's to the 90's.
When we looked at the life cycle in our 40s, we looked to old people for wisdom. At 80, though, we look at other 80-year-olds to see who got wise and who not. Lots of old people don't get wise, but you don't get wise unless you age.
I don't have that many days left," he said as we sat together in the library. "Why would I want to spend them on matters of drainage and overdue accounts? I must husband my hours and spend every one of them wisely. I regret that I didn't come to this realization until I reached fifty years of age. Calpurnia, you would do well to adopt such an attitude at an earlier age. Spend each of your allotted hours with care.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
If today I have been able to sell myself, it's because I agreed to shed my clothes and my inhibitions. And the more clothes I take off, the greater the number of people who come to see my films.
I'm not comfortable, for myself and for others. And yet, one has these people whom you trust, have faith in, whom you believe see what you see, and then you come up against a moment where you feel suddenly tossed out. So I was really interested in those moments.
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