A Quote by Riccardo Tisci

In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special. — © Riccardo Tisci
In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.
I think the future fashion will be more and more separated-like, on one side would be big distribution, and on the other side there will be high-level prêt-à-porter and couture. I mean, the prêt-à-porter is already couture in a way for the prices and the way that it's made. The big distribution will allow people to dress in a fashionable way, so this could be for everybody. This part of the big distribution will be stronger and stronger, but the other part we are coming up on is more and more rich people, because we are always thinking about Europe and about America.
The pret-a-porter collection will be the same as couture in essence: I love luxury, beautiful products, handmade with care, but at more accessible prices.
The couture client wants the latest things, but she wants the clothes to be super-special - the fabrics won't even touch or go near anything like prêt-à-porter.
It was Yves Saint Laurent who realised the high-end design houses could make a lot more money if they sold more accessible clothing than the usual couture, when he opened his pret-a-porter store, Rive Gauche, in 1966.
My first stage was couture. Boom. Couture. It has changed because women have evolved. Back in the day there were princesses. Today, there are still princesses, but she no longer rides around with horses and a carriage. She parties, she goes on vacation, she goes on boats. She wants to be dynamic. I understood this and I kept going. We do prêt-à-porter, men's, and couture.
They said pret-a-porter will kill your name, and it saved me
They said pret-a-porter will kill your name, and it saved me.
When I was young, especially when I was at school, I thought couture was about big gowns, big hats (that is couture as well, of course) - but my couture is about going near the clothes and having a look at the details. I like people to have a shock in a chic way.
When I do a show I have such high emotion; the energy is amazing - but, people don't really see the details and the work and the experimentation that we, the designers, put into the clothes. With prêt-à-porter you're having a look.
The market can move for irrational reasons, and you have to be prepared for that, ... you need to make big bets when the odds are in your favor -- not big enough to ruin you, but big enough to make a difference.
Finding a way to make a difference is arguably far more defining than any collection I have brought to market.
If I'm going to make something in the kitchen, even if it's something as simple as a sandwich, I will take the extra time to make it a great sandwich instead of just an average sandwich. I don't mind investing a little extra work to make something special.
Nobody is trying to avoid Shawn Porter. Look at all the named fighters that fought Shawn Porter, because nobody is avoiding Shawn Porter. Nobody is scared of Shawn Porter. Shawn Porter can beat you. He's tough, durable and comes to win but nobody's scared.
It really is the very top of the fashion world; nothing comes above haute couture. But not any old designer can create something magical and call it haute couture; the term is strictly protected for a very special few.
Couture is emotion. Couture is freedom. Couture is not thinking about pricing and not thinking about craziness. You can do whatever you want to do in couture.
I just knew that there was a gap in the market for easy, comfortable garments that are neither luxury nor pret, but somewhere in between.
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