A Quote by Rich Brian
All I have to do is to do my thing. I don't have to talk about it like, 'Oh, I'm representing for Asians.' I'm just... doing it.
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I think when people talk about improvising it turns into this silly thing like, "Oh there's like a hula hoop there and I'm like 'Oh what's going on here? Is this a really big ring?'"
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
A lot of my music is just self-observation. Like telling you, "Oh man. What did I just do? How much did I just pay for this chain? Why did I do that? Wait a minute." Let me talk about that. Or like, the temptation. Let me talk about that. Let me observe myself.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.
I don't like to eat in movies. I don't like props. Some people have always got to have a thing and they're doing this or doing that. I hate it. I just want to talk or fight. Or both!
It's all you think about, all you talk about, and all you want us to talk about. What in the world would we call something like that? Oh, yeah! An obsession!
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
If I talk about the bad old days of crystal meth for too long, I start getting like, "Oh...speed...that was delicious..." But in general, I don't so much. Or wait - maybe the recklessness just occurs in a different sphere so it doesn't look like bottoming out. But really - isn't trying to have a baby sort of a reckless thing to do?
There are very few people who are Asian who have the kind of global reach that I have, not just with Asians but with non-Asians. I've worked hard for what my name represents, my brand, not just in Britain but around the world.
If I don't talk about my religion, if I say I'm not discussing it or different humanitarian things I'm working on, they're like, 'He's avoiding it.' If I do talk about it, it becomes, 'Oh, he's proselytizing.'
If I don’t talk about my religion, if I say I’m not discussing it or different humanitarian things I’m working on, they’re like, “He’s avoiding it.” If I do talk about it, it becomes, “Oh, he’s proselytizing.”
I started asking friends, my white friends around, I said, "What's something that you think all Asians have in common?" They almost always immediately said, "Slanted eyes." I thought that's really interesting. No. 1, it simply isn't true. Not all Asian Americans have slanted eyes, and of course, Asians aren't the only ethnic identities to have them. No. 2, we could talk about our slant on life and what it's like to be people of color, while at the same time, using this outdated and obscure racial slur, and turning it on its head.
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