A Quote by Rich Burlew

I know it's an artistic cliche, but every time I look at my past work, I want to projectile vomit. — © Rich Burlew
I know it's an artistic cliche, but every time I look at my past work, I want to projectile vomit.
I know it's a cliche, but I didn't want to work in an office.
I'm interested in man's march into the unknown but to vomit in space is not my idea of a good time. Neither is a fiery crash with the vomit hovering over me.
The past is gone. I know it sounds cliché, but you're here. Like be in it. And boxing was a really good analogy for me to try and carry that in my everyday life all the time.
I don't want to be in a position that could make me vomit, like air travel. I've purloined airsick bags and stuffed them everywhere, just in case I ever feel the need to throw up. I haven't vomited since 1977, but I think about it all the time. I recognize that it's irrational, but I'd rather jump out of a window than vomit.
PROJECTILE, n. The final arbiter in international disputes. With the growth of prudence in military affairs the projectile came more and more into favor, and is now held in high esteem by the most courageous.
I know where I'm ranked, but I don't look at it that much, I don't study it that much. You really can't look at it that way, you've got to try to win as many matches as you can, and it's cliche, but you've got to take it one at a time.
At each point in our lives, we are at a crossroads. We are the fruit of our past and we are the architects of our future... If you want to know your past, look at your present circumstances. If you want to know your future, look at what is in your mind.
I have kids, I want something left for them. It's a cliche, I know, but it's true. That's what drives me every day.
I don't necessarily look for what I respond to in a script. I look for things that scare me, and take that as an indication that I should probably do it. I don't want to be bored. I look for challenges. I look for a variety of different things because it's so easy to go the cliche route.
You think that just because it's already happened, the past is finished and unchangeable? Oh no, the past is cloaked in multicolored taffeta and every time we look at it we see a different hue.
In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.
Every time I listened to Lux Radio Theatre, I wanted to vomit.
If you want to know who God is, look at Jesus. If you want to know what it means to be human, look at Jesus. If you want to know what love is, look at Jesus. If you want to know what grief is, look at Jesus. And go on looking until you’re not just a spectator, but you’re actually part of the drama which has him as the central character.
I've wanted you from the moment I first saw you in the museum. Before that. I wanted every part of you from the first time I felt you, your presence. I want you in the sky, and against the earth. I want to kiss you again, I want to touch you, I want to feel you in my arms and I want to hear you gasping my name when I'm inside you. I want all that, and I want it badly. Every time I look at you, I want it. So you're going to have to become used to that, Rue. It won't change." (Christoff to Rue)
I'm very nostalgic, and I spend a lot of time in the past, in my mind. That's part of my challenge, and what I really want to do is, I want to be present. I want to leave that in the past. When I say nostalgic, I mean my own life. I spend a lot of time reflecting on my past and not being able to process time.
At the beginning, I felt sort of reluctant about my music from my past. But in the last couple of years, I felt good about what I did in the past. The way I see my work, time passes from the time I performed or recorded a work. When I look at it now, 25 years or 30 years ago, if I see that it has value today, I will agree to release it.
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