A Quote by Rich Fulcher

I'm not like Madonna. I haven't changed my lilt in my voice. — © Rich Fulcher
I'm not like Madonna. I haven't changed my lilt in my voice.
For the hearts of nurses are solid gold, / But their heels are flat and their hands are cold, / And their voices lilt with a lilt that's falser / Than the smile of an exhibition waltzer. / Yes, nurses can cure you, nurses restore you, / But nurses are bound that they do things for you.
Seskin has the gift of song...his voice has a natural lilt that can’t be learned. The combination of musicianship and repertoire make for a rich and satisfying musical experience.
I always like Madonna; any Madonna song is good for me.
I'm not a great lover of Madonna's voice. She's done very well with what she's got, and I'm sure my voice turns her right off, but she's not my favourite singer.
I would really, really, really like to be a legend like Madonna. Madonna knows what to do next, and when she's performing, the audience is just in awe of her.
Unlike those who fight truly intolerant things like terrorism throughout the world, Madonna is really the lone brave voice in the wilderness standing up against evil.
I grew up a Madonna fan, still am a Madonna fan, and will die a Madonna fan.
I guess my voice kind of changed in middle school. It was what it is now. I remember there was this boy who used to walk behind me and sing that song that goes, "Walk like a man, talk like a man" and I was devastated. So I learned that I can pick up my voice if I want to.
Madonna has a far profounder vision of sex than do the feminists. She sees both the animality and the artifice. Changing her costume style and hair color virtually every month, Madonna embodies the eternal values of beauty and pleasure. Feminism says, 'No more masks.' Madonna says we are nothing but masks. Through her enormous impact on young women around the world, Madonna is the future of feminism.
Despite popular opinion, there are no important parallels between Madonna and Monroe, who was a virtuoso comedienne but who was in secure, depressive, passive-aggressive, and infuriatingly obstructionist in her career habits. Madonna is manic, perfectionist, workaholic. Monroe abused alcohol and drugs, while Madonna shuns them. Monroe had a tentative, melting, dreamy solipsism; Madonna has Judy Holliday's wisecracking smart mouth and Joan Crawford's steel will and bossy, circus master managerial competence.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
Anthony Hopkins is the kindest, sweetest most creative person I've met. He did something really insane between takes of the Westworld, out of nowhere. He started doing the lines from Silence of the Lambs, and I was like 'Oh my god, is this happening right now?' It was surreal. His voice changed, his demeanor changed, everything changed. He's a chameleon, in a matter of seconds he becomes something else.
Do I envy Madonna’s body? Yes. Do I thank God that she has it? Yes! If you’re fifty-something and you look like Madonna, and you put a lifetime’s work in the way you look, then flash it to the world!
Do I envy Madonna's body? Yes. Do I thank God that she has it? Yes! If you're fifty-something and you look like Madonna, and you put a lifetime's work in the way you look, then flash it to the world!
I remember I read this harsh review about my show, and one of my friends told me that this was the exact same stuff people said about Madonna. And it's like, she didn't care. Madonna just came out and was herself. I respect that a lot.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
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