A Quote by Rich Fulcher
That's why whenever I have a really good idea, I'm always worried about theft.
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Some people think it's psuedo-science, but it's called morphic resonance. It's when someone thinks of an idea, it makes it easier for someone else to think of the idea. That's why you should do crossword puzzles later in the day, because other people have thought about the answers. That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it. That's why whenever I have a really good idea, I'm always worried about theft.
People of the United States have to really consider whether they want to be an empire. Sweden is not worried about terrorism. New Zealand is not worried about terrorism. Holland is not worried about terrorism. Why not be a modest little country without all of these enormous ambitions?
It's only through effort that we learn what an idea actually is, and if our passion for it will last or fade. There is no shame in failure - all makers fail. But it's hard to respect someone who never tries, even once, to do something good that's always on their mind. If you're worried about how good your idea is, you're worrying about the wrong thing.
I always wanted to be a teacher. I went to school to be a teacher. And I've always, you know, had this sort of romantic idea about it. But I'm worried about - I'm worried about education.
Slavery is theft - theft of a life, theft of work, theft of any property or produce, theft even of the children a slave might have borne.
You aren't worried are you?" "Why should I be worried? It's just another day in the neighborhood. You know - bombs, fires, people shooting at you. Why should I be worried? Especially since we could be clothes shopping or boarding a plane. I'm not in the least worried." "Hmmm," he mused allowed. "I read about this in the relationship manual. It's called womanly sarcasm and usually means a man is in deep trouble.
You become a parent, and your whole life becomes about worrying. You just worry constantly whether they'll be okay. And the idea that I'll be worried forever about them and what they do...I almost have a panic attack when I think about it. I'm worried, and I'm worried about having to worry so goddamn much.
I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.
I'm extremely worried. I'm worried about the survival of our species, worried about what we're doing, worried about being Americans, worried about depletion of resources. On the other hand, we are trying. We are trying to understand our impact on the environment.
It's impossible to feel the creative juices flowing if you're always worried about the end result. I think really, really good work comes out of people being quite open, not stressed, really exploring, trying to be imaginative, without worrying too much about the end result.
No-one really feels self-confident deep down because it's an artificial idea. Really, people aren't that worried about what you're doing or what you're saying, so you can drift around the world relatively anonymously: you must not feel persecuted and examined. Liberate yourself from that idea that people are watching you.
When I get in there, I'm not really worried about scoring. I'm just worried about playing as hard defense as I can play, making my opponent work, and then I know the offensive end will open up for me. I've been a scorer all my life, so that's what I try to pride myself on. It feels good.
I always end up working with people that do a really good job, so I'm the only one that I'm worried about disappointing me, not the musicians ever.
Notwithstanding what some regard as the institutionalization of compassion, the transfer society quashes genuine virtue. Redistribution of income by means of government coercion is a form of theft. Its supporters attempt to disguise its essential character by claiming that democratic procedures give it legitimacy, but this justification is specious. Theft is theft, whether it be carried out by one thief or by a hundred million thieves acting in concert. And it is impossible to found a good society on the institutionalization of theft.
I think for really good-hearted people, that idea of putting yourself in the shoes of a monster to figure out why they acted that way, that's a really frightening idea.
People say, "Why is it that you love to act?" And you want to say, "Well, most of acting is sitting in your trailer, either bored or worried about the scene coming up." A lot of it is about things you don't really like, so it's a wonder why acting is such a huge draw, why everyone loves it so much.
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