A Quote by Rich Sommer
I can juggle, not well... I can balance a broom on my chin. I can do very simple carny tricks, a little sleight of hand with cards and coins.
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I've learned a lot of sleight of hand and coin tricks, but as far as the occult is concerned, I have not dabbled. I'm sort of an internal skeptic about those things.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often the magic he was doing was to fool other magicians.
Dai Vernon, the greatest sleight of hand figure in the history of the art, rarely performed. But he invented magic and had an enormous influence on the whole range of sleight of hand. And so often, the magic he was doing was to fool other magicians.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
A lot of the audience know that magic tricks are largely sleight of hand stuff, but they're intrigued by the mind stuff. They understand some of the principles behind it . . . but they're confused by how it's all mixed together onstage, which is good for me.
And the nature of magic is all in the person's experience. Whether the magician is using a highly complex sleight of hand or he's just got two cards that are the same, it doesn't matter: it's how it's sold and how magical it is for the person that matters.
The chin a little higher, dear. Style largely depends on the way the chin is worn. They are worn very high, just at present.
If you're creating a whole universe, even if it's a universe squeezed into a solar system, you have to use a little bit of sleight of hand.
When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.
Well you know, the big trick with 'Saw,' the sleight of hand that you have to pull off is that - spoiler alert - the bad guy, the antagonist, is right there in front of your face, literally.
I did a lot of things when I first started out. In order to be in show business, I juggled, I did magic tricks, cards tricks and I played the banjo.
I have loved works of fiction precisely for their illusions, for the author's sleight-of-hand in showing me the magic, what appeared in the right hand but not in the left.
The unique thing about Margaret Rutherford is that she can act with her chin alone. Among its many moods I especially cherish the chin commanding, the chin in doubt, and the chin at bay.
I think if I manage to juggle a personal life that I'm really happy with as well, as long as I manage to maintain balance, that's kind of the mark of success to me.
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