A Quote by Richa Chadha

Madam Chief Minister' is one of the most exciting scripts I have read and it possessed me. — © Richa Chadha
Madam Chief Minister' is one of the most exciting scripts I have read and it possessed me.
In our party, for the post of the prime minister or chief minister, there is no race, and nor does anyone stake their claim. Who will be the prime minister or chief minister, either our parliamentary board decides on this or the elected MLAs, in the case of chief minister, and MPs, in the case of the prime minister, select their leader.
What's been exciting for me is to read the scripts.
I never criticized Modi. All I said was that Modi cannot be a chief minister and still nurse prime ministerial ambitions. I only suggested that he should resign as the chief minister and then stake his claim to be prime minister.
I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.
Before I became a chief minister, I never thought that one day I'd be the chief minister.
I have completed 43 years in politics and have been a minister of state, chief minister, and a Cabinet minister. A person who survives so many years is bound to face some attacks. It doesn't affect me because I know the truth.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
I read so many scripts, and it's not really exciting to just be the girlfriend.
I received the Media for Liberty Award from Swedish PEN, and the prize was awarded by the Swedish minister of culture, who also happens to be the minister of sport. When she handed me the award, I said, Thank you, it's wonderful to be recognized, but we journalists always want more. So madam minister, I have a personal favor to ask you: Do not go to Sochi. And she announced that she was going to Sochi, but she's not attending the ceremonies, for political reasons. It's a very pointed stance.
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person to tell this story. I have a pretty high bar for myself. There's a lot of scripts that I read and think, "Oh, this is great, but I think there are 50 other directors who could bring this to the cinema."
The trouble is, being an actor, you're always being sent scripts, so you've always got something to read. You've always got about three scripts to read, that you have to read, all the time. So finding a book or getting into a book series is hard, especially for me.
I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.
For one person, Haydn is most exciting. Or Bach is the most exciting. For another, it's Carter or Strauss. For me - and for any musician - all of the music is exciting. And if you don't approach it with excitement, we can't be musicians.
It was a role [Dean Sanderson] I hadn't seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
KCR is not a Chief Minister, he is a cheap minister.
When I choose projects, I don't stipulate between film or theatre or television. I receive scripts and I read scripts - and when I read a script that's good, I then get married to it and talk to my agent about what happens next.
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