A Quote by Richa Chadha

I have never been short of work. — © Richa Chadha
I have never been short of work.

Quote Topics

I've never been short of putting high expectations on myself; I've never been short of saying I want to win a Stanley Cup.
There's never been a presidency that's done so much in such a short period of time, and we haven't even started the big work yet.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
I think the reality is that it's never been a better time to be an entrepreneur, it's never been a better time to work at a startup. You work at a really intellectually free environment, you get to work with people who are like-minded, it's very energetic. It's wonderful.
I still want to do my work. I still want to do my livingness. And I have lived. I have been fulfilled. I recognized what I had, and I never sold it short. And I ain't through yet.
I'm not short," Daisy muttered. "Short women are never mysterious, or elegant, or pursued by handsome men. And they're always treated like children. I refuse to be short.
When I first started writing, I did mostly short fiction, and I'd work on a short story and get near to being done and have no idea what I'd work on next, and then I'd panic.
The basis of almost every argument or conclusion I can make is the axiom that the short story can be anything the author decides it shall be;...In that infinite flexibility, indeed lies the reason why the short story has never been adequately defined.
I have always loved short stories. I have been at least as influenced by the short story masters as I have been by novelists.
The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department.
I'm very proud of my work at Watford in what has been a short period.
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
He should have known better because, early in his learnings under his brother Mahmoud, he had discovered that long human words (the longer the better) were easy, unmistakable, and rarely changed their meanings, but short words were slippery, unpredictable changing their meanings without any pattern. Or so he seemed to grok. Short human words were never like a short Martian word - such as grok which forever meant exactly the same thing. Short human words were like trying to lift water with a knife. And this had been a very short word.
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
When I first moved to New York I had been trying to work on anything and everything I could. From extra work and commercials to short and student films so I could learn in front of a camera.
This site uses cookies to ensure you get the best experience. More info...
Got it!