A Quote by Richa Chadha

I learnt a lot from the directors with whom I have worked like Sudhir Mishra in 'Daas Dev,' Prawaal Raman in 'Main Aur Charles.' — © Richa Chadha
I learnt a lot from the directors with whom I have worked like Sudhir Mishra in 'Daas Dev,' Prawaal Raman in 'Main Aur Charles.'
Sudhir Mishra is one the finest directors; he knows how to manipulate an actor's emotion, sensibilities and expressions.
I feel Prawaal Raman is an amazing director with great films in his pocket like 'Gayab.'
I have bowled with another leg-spinner in county cricket - Shahid Afridi. But he is a totally different bowler than Mishra. I have a lot of respect for Mishra.
I've learnt on set with different directors I've worked with.
I have been fortunate to have worked with immensely talented writers and directors who have had faith in me. There's been very little hard work but a lot of learning. I have learnt from each of my characters, and I think that's rather amazing.
Hey, man. Where have you been? (Dev) Out and about. You? (Talon) (Dev gave him a wicked grin.) Mostly in and out. (Dev)
I learnt to be courageous in my career decision through my association with Dev sahab.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I have worked with top directors like Rajamouli and Vinayak and with upcoming directors like Vamsi.
I felt I knew Lugosi. Like him, I had worked for good directors and terrible directors.
There was a guy by the name of Charles Schwab: actually, Charles M. Schwab. I read a lot about him, and I always hoped I was related, but I wasn't. He was a steel magnate. He worked for J.P. Morgan; then he started Bethlehem Steel. But he had no children, unfortunately, and it turned out I wasn't a relative.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I can confidently say that I am comfortable with all the directors, co-star and producers with whom I have worked; there have been absolutely no tensions.
When I worked with wildlife a lot in the Eighties and Nineties, I learnt the meaning of patience. And when I worked with trees, I learned the meaning of humility.
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