A Quote by Richard Adams

Dangerous thing, a name. Someone might catch hold of you by it, mightn't they? — © Richard Adams
Dangerous thing, a name. Someone might catch hold of you by it, mightn't they?
I would have liked to catch hold of sleep at least once, just as I had been resolved to catch hold of death one day, to catch hold of the wings of the angel of sleep when it came for me, to grab it with two fingers like a butterfly after sneaking up on it from behind. [...] My sleep game was practice for the grand struggle with death.
Hair in the black community is such a big thing culturally. The barbershop is a place for black men to socialise, catch up and bond. It's the same for black women in the salon. Going there is my favourite thing to do in the week. You catch up with people, someone comes around with food, someone else is selling something.
We can't hold hands? Someone might see. Won't you please Hold toes with me?
The curious thing about fishing is you never want to go home. If you catch something, you can't stop. If you don't catch anything, you hate to leave in case something might bite.
Let your boat of life be light, packed with only what you need - a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing.
But that's not the name of a man, it's the name of a mountain! (...) "It is my name," Athos said calmly. "But you said your name was d'Artagnan." "I?" "Yes, you." "That is to say, someone said to me: 'You are M. d'Artagnan?' I replied: 'You think so?' My guards shouted that they were sure of it. I did not want to vex them. Besides, I might have been mistaken.
When you're jumping so high for something so far up in the sky, you have to know that there is definitely someone there who can catch you, someone who knows how to catch you and when.
But just as a little bit of knowledge is a dangerous thing, a little bit of energy, in the hands of someone hell-bent on suicide, is a very dangerous thing.
The sun is perfect and you woke this morning. You have enough language in your mouth to be understood. You have a name, and someone wants to call it. Five fingers on your hand and someone wants to hold it. If we just start there, every beautiful thing that has and will ever exist is possible. If we start there, everything, for a moment, is right in the world.
The only thing more dangerous than an idea is a belief. And by dangerous I don't mean thought-provoking. I mean: might get people killed.
To give a name to a thing is as gratifying as giving a name to an island, but it is also dangerous: the danger consists in one's becoming convinced that all is taken care of and that once named, the phenomenon has also been explained.
There is the name and the thing; the name is a sound which sets a mark on and denotes the thing. The name is no part of the thing nor of the substance; it is an extraneous piece added to the thing, and outside of it.
I am someone who can't hold on to negativity or hold on to grudges. I might feel something at a certain point, but I get tired after that. I don't carry it with me. I forgive and forget very easily, and that's the only way to be happy and peaceful.
Typically, my advice to young artists is not to wait for someone to allow you to do the thing. Just do the thing, and they'll catch up.
Visibility is dangerous because if a guy cuts you off in traffic, you can't call him a name - it might get to the press.
Style is the answer to everything. A fresh way to approach a dull or dangerous thing. To do a dull thing with style is preferable to doing a dangerous thing without it. To do a dangerous thing with style is what I call art.
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