A Quote by Richard Aldington

I dream of silent verses where the rhyme glides noiseless as an oar. — © Richard Aldington
I dream of silent verses where the rhyme glides noiseless as an oar.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
Time glides away and as we get older through the noiseless years; the days flee and are restrained by no reign.
Oh swiftly glides the bonnie boat, Just parted from the shore, And to the fisher's chorus-note Soft moves the dipping oar.
From dream to dream and rhyme to rhyme I have ranged / In rambling talk with an image of air: / Vague memories, nothing but memories.
Our actions are like the terminations of verses, which we rhyme as we please.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
Reading is performance. The reader--the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk--performs the work. The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.
Baccarat is a game whereby the croupier gathers in money with a flexible sculling oar, then rakes it home. If I could have borrowed his oar I would have stayed.
Some rhyme a neebor's name to lash; Some rhyme (vain thought!) for needfu' cash; Some rhyme to court the countra clash, An' raise a din; For me, an aim I never fash; I rhyme for fun.
When summer gathers up her robes of glory, and like a dream of beauty glides away.
The noiseless foot of Tune steals swiftly by And ere we dream of manhood, age is nigh.
I had more verses . Owen Bradley said, 'Loretta, there's already been one El Paso and we'll never have another one. Get in that room and start taking some of those verses off.' Yeah, I took six verses off.
We think "reading the Bible in context" means thinking about the handful of verses before and after the verses we're looking at on the page. That isn't the case. While that's important, context is so much wider than a handful of verses.
Two such as you with such a master speed, cannot be parted nor be swept away, from one another once you are agreed, that life is only life forevermore, together wing to wing and oar to oar.
In 1967, in DeKalb v. DeSpain, a court (255 F.Supp. 655. N.D.Ill. 1966.) took a 4-line nursery rhyme used by a K-5 kindergarten class and declared the nursery rhyme unconstitutional. The court explained that although the word 'God' was not contained in this nursery rhyme, if someone were to hear the rhyme, he might think that it was talking about God - and that would be unconstitutional!
God prefers bad verses recited with a pure heart to the finest verses chanted by the wicked.
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