A Quote by Richard Armitage
Unfortunately, my love life is nil. I'm working too much - but I would like to settle down at some point.
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I don't think I could ever settle down. I have known too much of the depths of life already, and I would prefer anything to an anticlimax.
Before I was a Discordian, I took life much too seriously. When you take life too seriously you start to wonder what the point of it all is. When you wonder what the point is in life, you fall into a trap of thinking there is one. When you think there is a point, you finally realize there is no point. And what point is there in living like that? Nowadays I skip the search for a point and find, instead, the punch lines.
I don't understand actors who complain when they get work. 'I'm working too much. I've got to get up too early ...' Isn't this the point? There's somebody right now who's bussing tables who would love your problems.
I always imagined that magically, at some point, I would settle into this very easy and refined sophistication, but it turns out that who you are at eleven is pretty much who you are at 27, so I don't know how much I've learned over the years.
At some point in my life I'd honestly hoped love would rescue me from the cold, drafty castle I lived in. But at another point, much earlier I think, I'd quietly begun to hope for nothing at all in the way of love, so as not to be disappointed. It works. It gets to be a habit.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
People expect you to be with stars like Beyoncé. Obviously she's amazing, but you can't get starstruck as there's too much build-up to it. It's like, 'Clear the corridor so she can walk down it!' And she's like some fembot. There's too much faff and you end up thinking, 'Who cares?' If I was chatting to Hugh Fearnley-Whittingstall about chickens I'd be much more excited, as I love him.
We're going to start the game at nil-nil and go out and try to get some goals.
I guess every woman at some point wants to have a family and settle down.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
There are some jobs where you think, 'There's no way! This would be too, too good. The universe would love me too much were it to actually happen.'
I hate it when people look at marriage, especially when it comes to girls as 'settling down.' First of all 'settle' sounds like a compromise and 'down' makes it worse. It reminds me of teachers who ask their students to 'settle down' once they enter the classroom.
I love working on films and I'd love to do some interesting work, but if somebody asked me, 'Would you like 'Human Target' to continue to be picked up?' The answer is 'Absolutely!' I love working on this show. I love playing Guerrero. I love seeing where it's going.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
I would love to play a romantic lead at some point. I would love to play the hero at some point. It would be fun to be in a huge franchise blockbuster based on a series of books, whether it's fantastical or science fiction.
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