A Quote by Richard Armour
Shakespeare, who never could think up a plot by himself, found this one [Macbeth] in Holinshed's Chronicles, changing it just enough so that no one would recognize the source. He didn't count on the resourcefulness of modern scholars, who have to discover things like this to become associate professors.
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We're all Vanilla Ice. Look at Girl Talk and Danger Mouse. Look at William Burroughs, whose cut-up books antedate hip hop sampling by decades. Shakespeare remixed passages of Holinshed's 'Chronicles' in 'Henry VI.' Tchaikovsky's '1812 Overture' embeds the French national anthem.
If you could have magical binoculars that you could focus and look at the field of intention, you would see what the source of all things looks like. It's a source of love and kindness and beauty and creativity, and it's a source that excludes nothing and it's a source of unlimited abundance.
Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.
If Shakespeare had to go on an author tour to promote Romeo and Juliet, he never would have written Macbeth.
And you know, I hate to admit this, but I don't always think in terms of Shakespeare. When I eat, I do. When I'm at a restaurant, I'll think, 'Hmm, what would Macbeth have ordered?'
In my acquaintance with John Rawls, I found him to be a simple and honest man, who just by chance also happened to be the greatest moral philosopher of the twentieth century. I would like to think that I could emulate at least his modesty - his refusal to exaggerate his perception of himself and his place in the larger scheme of things - even if my work never compares with his in its importance.
Love is very important in The First Man, in that [Albert] Camus loves these things he never chose, he loves his childhood experience in a very real way. Their poverty meant that there was nothing else they could think about but what they would eat, how they would clothe themselves. There's just no room for other things in his family. It's difficult for others to imagine the position in which he found himself. There is no imaginary existence in their lives.
I had studied history at Brown and didn't feel like doing anything with it. What does one do with a history degree besides become a historian? And the professors in school, it seemed like they were just writing books for other professors to comment on, and vice versa - it was the most self-referential, boring world you could ever imagine.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
How funny your name would be if you could follow it back to where the first person thought of saying it, naming himself that, or maybe some other persons thought of it and named that person. It would be like following a river to its source, which would be impossible. Rivers have no source.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
He wasn't into one-night stands, he wasn't into scoring just to see if he could, he wasn't into acting just charming enough to get what he wanted before cutting loose in favor of someone new and attractive. He just wasn't like that. He would never be like that. When he met a girl, the first question he asked himself wasn't whether she was good for a few dates; it was whether she was the kind of girl he could imagine spending time with in the long haul.
I pulled him closer to me, wrapping my arms around him, kissing him just as desperately as he was kissing me. Like if we could just love long enough and hard enough and deep enough, then the world outside would never, could never hurt us.
I've got an idea for a modern day faerie tale that I think would made a great short novel. But I just don't have the time to work on it right now. I'm way too busy with the 'Kingkiller Chronicles' and being a new dad.
When you think about the Knicks, you associate Patrick Ewing with the Knicks, you associate Walt Frazier with the Knicks. If I do all the right things and perform up to my capabilities, I hope you associate Larry Johnson with the Knicks someday, too.
He who desires to become aware of the hidden light must lift the feeling of fear up to its source. And he can accomplish this if he judges himself and all he does. For then he sheds all fears and lifts fear that has fallen down. But if he does not judge himself, he will be judged from on high, and this judgment will come upon him in the guise of countless things, and all the things in the world will become messengers of God who carry out the judgment on this man.
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