A Quote by Richard Armour

(Francis) Bacon's best known writings are his essays. They are loved for many reasons, such as their being so short. — © Richard Armour
(Francis) Bacon's best known writings are his essays. They are loved for many reasons, such as their being so short.
I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.
I remember when you used to have your profession on your passport and I always thought that being a painter was the best one to be, because my heroes were Goya and Francis Bacon.
My father is best known for his light comedies, and I'm best known for crazy bad guys with short tempers.
My father is best known for his light comedies, and Im best known for crazy bad guys with short tempers.
Pollock was well known, certainly, but for all the wrong reasons. He was known as much for being wild and unconventional in his working methods as for being a great artist.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
Let's all be honest here for a second, okay - bacon? Not even that good. Now, I'm not saying that it's bad. I like bacon-wrapped dates, and I've also been known to enjoy a BLT a couple of times a year. What I'm saying is, bacon is fine, but it is objectively not so good that we need bacon-scented sunscreen.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
It’s best not to experiment on yourself. Bacon practically froze himself to death in one of his experiments and died of pneumonia.” {Right! Bacon must be heated. Knew that already, but thanks for the reminder.}
Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.
To be loved but not known is comforting but superficial. To be known and not loved is our greatest fear. But to be fully known and truly loved is, well, a lot like being loved by God. It is what we need more than anything. It liberates us from pretense, humbles us out of our self-righteousness, and fortifies us for any difficulty life can throw at us.
That Francis Bacon retains his reputation gained, is not strange to any that knows him. The unusual words wherewith he had spangled his speech, were rather gracious for their propriety than strange for their novelty, and like to serve both for occasions to report and means to remember his argument. Certain sentences of his , somewhat obscure, and as it were presuming upon their capacities will, I fear, make some of them rather admire than commend him. In sum, all is as well as words can make it, and if it please Her Majesty to add deeds, the Bacon may be too hard for the Cook.
Amartya Sen is best known to the general reader for his powerful essays on famine. He is an optimist about some of our gravest economic problems, such as mass starvation in a world that at present can easily produce more food than everyone can eat. Reason and voluntary participation are his watchwords.
It's not name dropping, but not many people can say, like me, that they spent the day with the likes of Francis Bacon or that boring drunk Dylan Thomas. You don't forget things like that.
A lot of young painters love to incorporate celebrity. One idea of being a painter is to use what's happening at the time. Velázquez was painting of his time. And so was Rembrandt. And Francis Bacon was painting his time in London. He was a real mover, but he saw the insect in the rose. But yes, when I do a painting, I want to take the "I did this" out of it. That's why I started using chance, like the markings on the wood. I never wanted to compose.
I get creeped out by Francis Bacon's paintings, and I can't say exactly why. They're all really disturbing, and there is an almost nimbus-like quality behind some of his frightening characters and stuff.
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