A Quote by Richard Ashcroft

When you go onstage, the process of getting you from the dressing room to the stage is all about ego. — © Richard Ashcroft
When you go onstage, the process of getting you from the dressing room to the stage is all about ego.
I'm definitely not a guy that comes in the dressing room saying, "Hey, everybody, what a wonderful life." I'm usually brooding about something I think is wrong. I care so much about getting the music right, and if I think someone's slacking I get very upset about that. I just can't go on stage and say, "Another day, another dollar," which I've heard a few people say: I can't go along with that at all. It's got to be as good as you can do - to my own detriment.
I like to pick out a certain part of each show I'm in and I watch it when I'm not onstage or in my dressing room. I'll go down to the stage and watch that part of the show each night.
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
When I was about five my dad built a stage for me in our basement. A full stage, with a curtain, a backdrop and a dressing room. There were three colored spotlights - a red one, a white one, and a blue one. Blue was for nighttime scenes, and red was for when we were in hell. If the neighborhood kids wanted to use the stage, they had to incorporate me into the play.
We went on stage with the Jefferson Airplane, Jim started singing with Grace Slick and hugging her. Then he danced off the stage, went back into the dressing room and passed out cold.
I have a personal little routine that I do in my dressing room just to kind of get myself mentally prepared to go on stage, and part of that is a poem that I read to myself.
I don't socialize in drag anymore. If I'm in drag, I'm usually onstage or in the dressing room or in a car service.
Undertaker was always a leader in the dressing room, always a man's man. No one ever doubted what he said because his word was good. He was a guy that set the dressing room standard. If you had an issue or personal problem, you could go to Undertaker and he would help you.
I would like to be remembered as the reporter who snuck back stage to all the off-limits shows, be it the Vatican dressing room, the Pentagon war room, or the Celtics locker room. Some curtains ought never to be pulled back; others deserve to be ripped down. When appropriate, I want to be the curtain remover.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
Reggae music really chills me out in my dressing-room before I head on stage.
I can't eat before I go onstage because I've learnt that burping on stage isn't a good thing. It's all about acid reflux.
Sometimes I think I'm more comfortable onstage than I am in my own room. When I get onstage, it's kind of like your chance to let go and be something that you're not maybe. It's your time to dream.
I have a big ego, but I don't buy into it. I can't live off the ego. It's an honor that I get to be that guy onstage. It's not something I earned.
When I go onstage, I kind of turn into a beast sometimes, this alter-ego, you know.
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