A Quote by Richard Ashcroft

I've never written a 'Revolver' or a 'Pet Sounds.' — © Richard Ashcroft
I've never written a 'Revolver' or a 'Pet Sounds.'
Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
To this day I don't ever remember seeing a pet inside Moscow, I never saw anyone carrying a dog, or leading a dog. Err I finally saw a, a pet some years later in Kiev, so I thought that life must have been, different.
Reverse petting zoo. You pet the animals, and they pet you back.
Keep your revolver near you night and day, and never relax your precautions.
I noticed that on the Beach Boys' 'Pet Sounds' record they could get away with racy lyrics like that because of how they looked and the melodic way they sang the suggestive stuff. They slid it by the censors.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
I've never written an autobiographical novel in my life. I've never touched upon my life. I've never written a single scene that I can say took place.
In the U.K., classical music is composed by individuals and written down. Indian music is based on certain sequences called ragas. When I perform live, 95% of the music is improvised: it never sounds the same twice.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.
One suggestion is to regard your personality as a pet. It follows you around anyway, so give it a name and make friends with it. Keep it on a leash when you need to, and let it run free when you feel that is appropriate. Train it as well as you can, and then accept its idiosyncrasies, but always remember that your pet is not you. Your pet has its own life, and just happens to be in an intimate relationship with you, whoever you may be, hiding there behind your personality.
I've never been in trouble. I've never had detention or anything. I wasn't a teacher's pet though either.
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I saw myself as a teacher's pet but with a little of Ed Haskell mixed in. I was the teacher's pet, but that didn't mean that I was trying to pull one over.
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