A Quote by Richard Avedon

The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. — © Richard Avedon
The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion.
A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.
Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).
A photograph has picked up a fact of life, and that fact will live forever.
Part of the mystery of any given photograph is the fact that it was taken at a certain time and in a certain place and time keeps moving on. A photograph might be a moment in time preserved, but the world continues to change around it.
An inert historical fact is any fact about a perfectly ordinary arrangement of matter in the world at some point in the past that is no longer discernible, a fact that has left no footprints at all in the world today.
Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is "the creative fact; the fertile fact; the fact that suggests and engenders," as opposed to the fact that deadens and kills a delicate new project.
It is not an opinion that "enhanced interrogation techniques" are torture. It is a legal fact. And it is also a legal fact that the president is a war criminal.
The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.
How has the sky been transformed by drones? How has the ocean been transformed by the fact that over 90% of the world's information travels in underwater cables?
The real purveyors of the news are artists, for artists are the ones who infuse fact with perception, emotion, and appreciation...We are beginning to realize that emotions and imagination are more potent in shaping public sentiment and opinion than information and reason.
A photograph it a souvenir of a memory. It is not a moment. It is the looking at the photograph that becomes the moment. Your own moment.
Feelings, too, are facts. Emotion is a fact. Human experience is a fact. It is often possible to gain more real insight into human beings and their motivation by reading great fiction than by personal acquaintance.
It is a very long and very difficult road from a fact to a conclusion. But it is a million times longer from a theory to a fact.
The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. . . .
I don’t understand anything...and I no longer want to understand anything. I want to stick to the fact...If I wanted to understand something, I would immediately have to betray the fact, but I’ve made up my mind to stick to the fact.
Some individuals have developed such strong internal standards that they no longer need the opinion of others to judge whether they have performed a task well or not. The ability to give objective feedback to oneself is in fact the mark of the expert.
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