A Quote by Richard Ayoade
With a live performance, you feel nervous because there's a sense it could do well or badly based on how well you are performing, whereas the only variable with a film premiere is technical, which invariably you have very little control over, whether the sound is good, whether the acoustics of the room are good.
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I find performing very difficult. It's difficult to be a good actor. I get very nervous, even though it sounds disingenuous, because you could legitimately go, 'Well, why do it?'
So how critics will perceive your film or your work, or whether your movie is going to make $100 million at the box office, or whether you are going to be winning any awards - well, you have no control over that.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
The question is not whether a picture is good, in some formal, technical sense, but, does it mean what I need it to mean? Writers can edit sentences that may be well-crafted but that don't express an intended thought. But in photography, there are no revisions: A photograph is in or it's out, and the photographer must live with the consequences of his or her choices.
Well, you can’t control what they do, but you can control how you respond to it…whether you allow it to drive you crazy, or occupy all of your thoughts, or whether you note what they’re doing, consider it, and make a conscious decision as to how much you’ll let it affect you
I do my job, and I do what I’m paid to do and I’m always prepared. I prepare by learning the text so well that when I show up, I’m relaxed and the performance sort of happens. Now whether that’s good or bad, I don’t know... Whatever I say is going to sound very egocentric and self centered anyway so I’d better shut up.
Our brains are very, very good at self-delusion. What happens is, it releases the stress hormone cortisol in the brain, which leads to foggy thinking, so you're not even able to judge well whether you're working well or not.
It all comes back to the same place, whether she does well, I do well, or we both do well, which is obviously what we're hoping for. It's all good. You know? We're definitely pull for each other.
Now, whether that was Russia, whether that was China, whether it was another country, we don't know, because the truth is, under President [Barack] Obama we've lost control of things that we used to have control over.
I hit the ball really well... had a lot of good looks at birdie all day, it's firm but you could control your golf ball, for sure. Today I controlled my ball very well. The confidence is definitely there. I feel really good about where I'm at and going into tomorrow.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
Well you're in your little room
and you're working on something good
but if it's really good
you're gonna need a bigger room
and when you're in the bigger room
you might not know what to do
you might have to think of
how you got started sitting in your little room
The poetry when I was a kid felt like something that I could control, and whether it failed or not, whether it was good or not, was totally on me and I could accept that. It was entirely mine.
Having learnt my basics in theatre, I always feel film is a collaborative effort. If you do your part well and help the person in front of you in realising his or her potential, the film invariably comes out good.
Whether you can see it or not - and often we cannot - everything is being used of God for your good as well as the good of othersThis knowledge is by faith. It is not always by sight. But it is nevertheless certain, because it is based on the character of God, who reveals himself to us as both sovereign and benevolentWe are not to be anxious about the unknown future or to fret about it. We are to live in a moment-by-moment dependence upon God.
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