A Quote by Richard Ayoade
The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
Related Quotes
The act of seeing any film generally is you knowing more than the characters, even if its the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.
I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
I have to slow down for some people. In Louisiana, people didn't have a clue what I was talking about. I remember seeing people glaze over. Seeing the moment where they've just completely lost all... They just wait for me to stop talking and then say, 'Yeah.'
If I had a child, and I accidentally walked in on him seeing something, I'd rather he'd be seeing two people making love, than two people killing each other. USA in such a violent country, that I'd rather support sex!
You know, in an ideal world, people would just be intrigued and go and see a film without knowing anything about it, because that's where you're going to have the most experience of a film, the biggest, the most revelation of a film. But at the same time, I think there are benefits of having seen a trailer where you actually look forward to seeing moments in a film knowing that they're coming up. I don't know which is better.
You can replace houses. You can't replace people. I mean, it's left me speechless. I was talking to P.J. (Brown) about it. When the storm hit, I just kept it on CNN and watched the whole thing. Just seeing Canal Street, knowing I was there just a few days before storm and seeing all those stores I went in being under water. Unbelievable.
I think one of the things that people take for granted when they watch a film is the actors have to exhibit an extraordinary amount of force to block out the stuff that isn't a part of their reality. And when the audience sees it, they're seeing everything the actor isn't seeing.
Seeing is an experience. People, not their eyes, see. There is more to seeing than meets the eyeball.
I think every parent takes more pleasure in seeing their child succeed than seeing themselves succeed.
It's a very difficult thing for people to accept, seeing women act out anger on the screen. We're more accustomed to seeing men expressing rage and women crying.
Saturday The 14th movie is a cult classic. And you know another one like that that I did, is Three O'Clock High. People come up to me about those two all the time. Film schools even study Three O'Clock High. Shot for shot, it's a textbook.
It is hard to stop seeing your son as a son and to start seeing him as a human being. It is hard to stop seeing your parents as parents and to start seeing them as human beings. It's a two-sided transition, and very few people manage it gracefully.
My work is largely concerned
with relations between
seeing and knowing,
seeing and saying,
seeing and believing.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
I think that the audience wants to see women being put into real situations where they can relate to them, rather than seeing some glamorous woman in a 'Bond' film.
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