A Quote by Richard Bach

I'm a writer as rarely as possible, when forced by an idea too lovely to let die unwritten — © Richard Bach
I'm a writer as rarely as possible, when forced by an idea too lovely to let die unwritten
Companies rarely die from moving too fast, and they frequently die from moving too slowly.
When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years ? whether it is being the writer or being the lover ? turns out to be an extremely taxing job and hardly the pleasantest of human activities.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
Steiner has here transformed the vaporous conceptions of his life, the vapors of what never was and never will be, from their aeriform state to a fine and ethereal substantiality. My Unwritten Books is a gathering of shades, an elegant and eloquent gathering of mind, feeling, and autumnal passion. (...) And that is the lovely irony of this unique little book. None of these unwritten books should have been written. They are better here, as they are, untamed and errant phantoms of a brilliance whose emanations no one mortal lifetime could ever accommodate in full.
Life with you was lovely—and when I say lovely, I mean doves and lilies, and velvet, and that soft pink ‘v’ in the middle and the way your tongue curved up to the long, lingering ‘l.’ Our life together was alliterative, and when I think of all the little things which will die, now that we cannot share them, I feel as if we were dead too.
It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.
I'm a situational writer. You give me a situation, like a writer gets in a car crash, breaks his leg, is kidnapped by his number-one fan, and is kept in a cabin and forced to write a book - everything else springs from there. You really don't have to work once you've had the idea. All you have to do is kind of take dictation from something inside.
The idea is to die young as late as possible.
You know, you lose a lot of social skills if you’re a writer. You spend too long alone. And it’s forced me to address that.
You know you lose a lot of social skills if you're a writer. You spend too long alone. And its forced me to address that.
Let us agree here today to adopt among ourselves a simple and unwritten rule. We will not rise to criticize someone else's idea unless we are prepared to offer an alternative idea of our own.
beware the Lure of a handsome Face, the all too ready Assumption that the lovely Façade must needs have lovely Chambers within; for as 'tis with Great Houses, so, too, with Great Men.
We do not die because we have to die; we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
Too many women are forced to abort by poverty, by their menfolk, by their parents. A choice is only possible if there are genuine alternatives.
I'd trapped myself in a script.... But to be scripted at all is to be prepackaged, programmed, pinned to a page. Only the unwritten can truly live a life. So who I was, what I was, had to be unwritten.
A formal and orderly conception of the whole is rarely present, perhaps even rarely possible, except to a few men of exceptional genius.
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