A Quote by Richard Bach
I was a microscopic life-form, infinitely large, stumbled backstage of its playhouse, caught a nanosecond glance of its own reality and nearly vaporized in shock.
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Those who pretend to investigate the transcendental truths of the Being based on pure reasoning fall in the same mistake as someone who, ignoring how to use the science's modern instruments, tries to study the life of what is infinitely small with telescopes and the life of what is infinitely large with microscopes.
Man lives between the infinitely large and the infinitely small.
Backstage, I do my own thing and have my own spots in the locker room, so environmentally, it's not very different for me. But the backstage environments are vastly different, but that is mainly because of the personalities.
Most loverspicture to themselves, in their mistresses, a secret reality, beyond and different from what they see every day. They are in love with somebody else--their own invention. And sometimes there is a secret reality; and sometimes reality and appearance are the same. The discovery, in either case, is likely to cause a shock.
Remember also: beyond the restless flowing electricity of life is the ultimate reality- The Void. Your own awareness, not formed into anything possessing form or color, is naturally void. The Final Reality. The All Good. The All Peaceful. The light. The Radiance. The movement is the fire of life from which we all come. Join it. It is part of you.
The future of humanity is uncertain, even in the most prosperous countries, and the quality of life deteriorates; and yet I believe that what is being discovered about the infinitely large and infinitely small is sufficient to absolve this end of the century and millennium. What a very few are acquiring in knowledge of the physical world will perhaps cause this period not to be judged as a pure return of barbarism.
Everything about 'Adventure Time' is the purest form of kid's play. A kid does not live in the Land of Ooo. That is one of the wonderful things about the show; it doesn't pretend to be real. That was the great thing about 'Pee Wee's Playhouse'; it existed in a world completely outside any reality a kid recognized.
In the field one has to face a chaos of facts, some of which are so small that they seem insignificant; others loom so large that they are hard to encompass with one synthetic glance. But in this crude form they are not scientific facts at all; they are absolutely elusive, and can be fixed only by interpretation, by seeing them sub specie aeternitatis, by grasping what is essential in them and fixing this. Only laws and generalizations are scientific facts, and field work consists only and exclusively in the interpretation of the chaotic social reality, in subordinating it to general rules.
It's fun to go to a supermarket or a park or a shopping mall where human beings convene. They're so caught up in their own personal reality as to not see life, except in terms that add to or detract from their movie.
When a woman is exhorted to be compliant, cooperative, and quiet, to not make upset or go against the old guard, she is pressed into living a most unnatural life- a life that is self-blinding.. . without innovation. The world-wide issue for women is that under such conditions they are not only silenced, they are put to sleep. Their concerns, their viewpoints, their own truths are vaporized.
It may be that, while we plodding realists go on, for ever preoccupied with our daily chores, abstracting a microscopic pleasure from each microscopic duty, your true romantic has the truer vision, and beholds, afar off, in all its lurid splendour and terrible proportions, the piquant adventure we call life.
When we hit a nail with a hammer, the whole of the shock received by the large head of the nail passes into the point without any of it being lost, although it is only a point. If the hammer and the head of the nail were infinitely big it would be just the same. The point of the nail would transmit this infinite shock at the point to which it was applied. Extreme affliction, which means physical pain, distress of soul and social degradation, all at the same time, constitutes the nail. The point is applied at the very center of the soul, whose head is all necessity, spreading throughout space and time.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
In the stillness of your presence, you can feel your own formless and timeless reality as the unmanifested life that animates your physical form. You can then feel the same life deep within every other human and every other creature. You look beyond the veil of form and separation. This is the realization of oneness. This is love.
At the Neighborhood Playhouse School of Theatre, Sanford Meisner said, 'When you go into the professional world, at a stock theatre somewhere, backstage, you will meet an older actor, someone who has been around awhile. He will tell you tales and anecdotes, about life in the theatre. He will speak to you about your performance and the performances of others, and he will generalize to you, based on his experience and his intuitions, about the laws of the stage. Ignore this man!'
Human life is a continuous thread which each of us spins to his own pattern, rich and complex in meaning. There are no natural knots in it. Yet knots form, nearly always in adolescence.
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