A Quote by Richard Bach

And like no other sculpture in the history of art, the dead engine and dead airframe come to life at the touch of a human hand, and join their life with the pilot's own. — © Richard Bach
And like no other sculpture in the history of art, the dead engine and dead airframe come to life at the touch of a human hand, and join their life with the pilot's own.
Like every other form of art, literature is no more and nothing less than a matter of life and death. The only question worth asking about a story — or a poem, or a piece of sculpture, or a new concert hall — is, Is it dead or alive?
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.
People around me die. They drop like flies. I've gone through life leaving a trail of dead bodies behind me. My mother is dead, my guardian is dead, my aunt is dead—because I killed her, and when my real father finds me, he'll move heaven and earth to make me dead.
Life cannot be cut off quickly. One cannot be dead until the things he changed are dead. His effect is the only evidence of his life. While there remains even a plaintive memory, a person cannot be cut off, dead. And he thought, “It’s a long slow process for a human to die. We kill a cow, and it is dead as soon as the meat is eaten, but a man’s life dies as a commotion in a still pool dies, in little waves, spreading and growing back toward stillness.
It will startle you to see what slaves we are to by-gone times-to Death, if we give the matter the right word! ... We read in Dead Men's books! We laugh at Dead Men's jokes, and cry at Dead Men's pathos! . . . Whatever we seek to do, of our own free motion, a Dead Man's icy hand obstructs us!
To slay the sinner is then the first use of the Law, to destroy the life and strength wherein he trusts and convince him that he is dead while he lives; not only under the sentence of death, but actually dead to God, void of all spiritual life, dead in trespasses and sins.
They say rock is dead. Andy [Warhol] said art is dead. God is dead according to Nietzsche. If everything's dead what's alive? Only technology. We're in the era of technology.
Christ quickens none but the dead. Why do not the papists attain to this grace of justification? They never see themselves wholly dead, but join some life to the natural estate of man. Therefore Christ quickens them not.
Exclusively oral cultures are unencumbered by dead knowledge, dead facts. Libraries, on the other hand, are full of them.
The earthly form of Christ is the form that died on the cross. The image of God is the image of Christ crucified. It is to this image that the life of the disciples must be conformed; in other words, they must be conformed to his death (Phil 3.10, Rom 6.4) The Christian life is a life of crucifixion (Gal 2.19) In baptism the form of Christ's death is impressed upon his own. They are dead to the flesh and to sin, they are dead to the world, and the world is dead to them (Gal 6.14). Anybody living in the strength of Christ's baptism lives in the strength of Christ's death.
But the actual touch of her lingered, inside his heart. That remained. In all the years of his life ahead, the long years without her, with never seeing her or hearing from her or knowing anything about her, if she was alive or happy or dead or what, that touch stayed locked within him, sealed in himself, and never went away. That one touch of her hand.
With education symmetrical and true we will take the dead mass buried by slavery's hand and touch them to life. This beauteous angel, which has always done its work for those on earth, will roll away the stone from the tomb where is buried a race, and my people will come forth to their glory and the amazement of the world.
Dakota tribal wisdom says that when you're on a dead horse, the best strategy is to dismount. Of course, there are other strategies. You can change riders. You can get a committee to study the dead horse. You can benchmark how other companies ride dead horses. You can declare that it's cheaper to feed a dead horse. You can harness several dead horses together. But after you've tried all these things, you're still going to have to dismount.
It's silly to be depressed by it. I mean one thinks of it like being alive in a box, one keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never know you were in a box would you?... Even taking into account the fact that you're dead, it isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off-- I'm going to stuff you in this box now would you rather be alive or dead? Naturally you'd prefer to be alive. Life in a box is better than no life at all.
Entities are beings that are dead. They are the lowest beings on the evolutionary scale because they don't even know they are dead. They are so stupid. What they seek is life again - they come into the world of the living.
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