A Quote by Richard Bach
My way of writing a book is completely disorganized - to hurl myself at the problem, over and over.
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Each pattern describes a problem which occurs over and over again in our environment, and then describes the core of the solution to that problem, in such a way that you can use this solution a million times over, without ever doing it in the same way twice.
In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.
Not writing the same kind of book over and over again is to me the real pleasure of what I do.
As I travel around the world, people think the only place where there is potential conflict [over] water is the Middle East, but they are completely wrong. We have the problem all over the world.
Within the small crew of people who hold the media's many 'NeverTrump' positions, the Ethics and Public Policy Center's Pete Wehner doesn't get enough credit for writing the same thing over and over and over and over and over again.
There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
I know that the way to be a really successful writer is to write the same kind of book over and over again. Find the kind of thing that people like and just write one of those over and over again. I don't do that. I just keep doing different things.
My whole life was writing, recording and touring over and over again. At some point I realised I wasn't enjoying myself any more.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
So it was this multi-perspective, multi-character book, and it went through all of these different manifestations. I'm not sure there was a single moment where I thought to myself, Oh, I need to write about Margaret Cavendish. She just kept taking over the book I thought I was writing.
When I first came over to the States, I started writing, I think, as a way to help myself learn English. I would start stapling together little booklets for myself.
If you write in the same way over and over again, like, in the same place with the same techniques and with the same people, you're sort of writing the same song over and over again.
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