A Quote by Richard Bach

Only a few people are interested in what you have to say, but that is all right. You don't have to tell the quality of a master by the size of his crowds. — © Richard Bach
Only a few people are interested in what you have to say, but that is all right. You don't have to tell the quality of a master by the size of his crowds.
You don't tell the quality of a master by the size of his crowds.
It is amazing how soon one becomes accustomed to the sound of ones voice, when forced to repeat a speech five or six times a day. As election day approaches, the size of the crowds grows; they are more responsive and more interested; and one derives a certain exhilaration from that which, only a few weeks before, was intensely painful. This is one possible explanation of unlimited debate in the Senate.
I'm not interested in what they have to say. I'm only interested in people that are interested in me for the right reasons.
The master swordsman isn't interested in killing people. He only wants to perfect his art.
A real Master is not a teacher: a real Master is an awakener. His function is totally different from a teacher; his function is far more difficult. And only very few people can stay with a Master because to wake up after millions of lives is not an ordinary feat; it is a miracle. And to allow somebody to wake you up needs great trust, great surrender.
The real master is only a presence. He has no intentions of being a master. His presence is his teaching. His love is his message. Every gesture of his hand is pointing to the moon. And this whole thing is not being done, it is a happening. The master is not a doer. He has learned the greatest secret of life: let-go. The master has drowned his ego and the idea of separation from existence itself.
Amid the cheering of the crowds, he hardly heard his master's voice, but he saw the familiar head and shoulders, and the bright flag he was waving. He raced toward the seven-foot fence; without apparent effort he rose in the air and cleared the top with a good hand-breadth to spare; then dashed up to his master that he loved, and gamboled there and licked his hand in heart-full joy. Again the victor's crown was his, and the master, a man of dogs, caressed the head of shining black with the jewel eyes of gold.
It used to get my back up because people would only say 'he does well for his size' and it's like, forget the size, I do well because I do well.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
It takes people to move crowds in the right direction, crowds by themselves just stand around and mutter.
One may not always know his purpose until his only option is to monopolize in what he truly excels at. He grows weary of hearing the answer 'no' time and time again, so he turns to and cultivates, monopolizes in his one talent which others cannot possibly subdue. Then, beyond the crowds of criticism and rejection, the right people recognize his talent - among them he finds his stage.
When I read biographies, I'm only interested in the first few chapters. I'm not interested in when people become successful. I'm interested in what made them successful.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
It wasn't until I began to work on my inner life and know myself that my life changed. Success really does begin within. The size and quality of your outer life is only limited by the size and quality of your inner life.
If I could only have one thing in life, it would be for my sons to grow up to become quality men who are interested in doing the right thing. I want them to be highly moral people who care about what is happening in the world around them. The best way to do that as a parent is to set the right example. That's what I try to do.
I am interested in the heavyweight division, and I'll tell you why: Many experts say that I shouldn't go up in weight, that I'm too small for it. My size does not allow me to be victorious in this division.
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