A Quote by Richard Bach

If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
I don't think there is a fictional character who resembles me because fictional characters are not real!
My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.
I quote fictional characters, because I'm a fictional character myself!
Reading was not an escape for her, any more than it is for me. It was an aspect of direct experience. She distinguished, of course, between the fictional world and the real one, in which she had to prepare dinners and so on. Still, for us, the fictional world was an extension of the real, and in no way a substitute for it, or refuge from it. Any more than sleeping is a substitute for waking." (Jincy Willett)
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
If we show fictional characters doing cool stuff, then girls will want to be it in real life.
The best moment in writing any book is when you just can't wait to get back to the writing, when you can't wait to re-enter that fictional place, when your fictional town feels even more real than the town where you actually live.
With fiction, you are creating an imaginary world. And it can be a very mechanical process. In a fictional film, you create the characters who become "real people" when facing the camera. When you stop shooting, they change their costumes and become someone else. And people tend to believe in documentary more than fiction. Even if the fiction is based on a true story, everybody will say, "Oh, they're only actors."
I love it when real science finds a home in a fictional setting, where you take some real core idea of science and weave it through a fictional narrative in order to bring it to life, the way stories can. That's my favorite thing.
We referenced fictional characters as if they were people to learn from. As if real-life people were too nebulous, too private and unreal for us to understand.
It was interesting to do a completely fictional piece. You know, Saving Private Ryan was not a fictional piece! So the challenge was: How do you incorporate real emotions? How do you incorporate aspects that people are going to be able to identify with?
I'm trying to listen to my past, listen to what's most deeply going on inside myself, my creative set of fictional characters, a fictional world - to listen to that world, to search.
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