A Quote by Richard Bach
Same with anyone who's been flying for years and loves it still... we're part of a world we deeply love. Just as musicians feel about scores and melodies, dancers about the steps and flow of music, so we're one with the principle of flight, the magic of being aloft in the wind!
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Magic exists. Who can doubt it, when there are rainbows and wildflowers, the music of the wind and the silence of the stars? Anyone who has loved has been touched by magic. It is such a simple and such an extraordinary part of the lives we live.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.
On my first flight, I don't know if maybe it's a function of time, or if I was less stressed on my second flight, but just being able to tell what part of the planet we were flying over by the reflected light coming through the window - that was pretty special.
I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?
My brother had a house in Paris. To it came many Western classical musicians. These musicians all made the same point: 'Indian music,' they said, 'is beautiful when we hear it with the dancers. On its own, it is repetitious and monotonous.'
The joy of just being involved in something, of being part of a big process, just as a human being, it's nice to be part of people who are in the same enterprise, heading for the same goal, rather than, 'Oh this is all about me and my role. The story's about me.'
Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.
That's one thing I love about my son - he's just a gamer at heart, he loves everything. He'll still play 'Pole Position,' or just old things at an arcade. He just loves games. He's not a graphics snob at all. I love him.
Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
The incomparable Michael Jackson has made a bigger impact on music than any other artist in the history of music. He was magic. He was what we all strive to be. He will always be the King of Pop! Life is not about how many breaths you take, but about how many moments in life that take your breath away. For anyone who has ever seen, felt or heard his art, we are all honored to have been alive in this generation to experience the magic of Michael Jackson. I love you, Michael.
I'd never been around a capella or really knew much about it. I feel like I know a lot about music, but what I didn't anticipate is that when every actor has to sing a different part and then do all their choreography on the same beat or on the same word, it's really hard.
I still have a suspicion of charity and think the state has a role to play in many areas. And although for most of the years since I have been a rather privileged writer, I identify more closely than perhaps I should with those social workers. Had I not become a writer that would have been me. Lots of our friends are still in that world and I do feel part of that generation of people who were rather idealistic in the 70s and became disillusioned in the 80s. Not just about social services issues, but the world.
Most of my arguments with musicians through the years have had more to do with their attitude about music, or their attitude about their own lives, or their personal responsibility. Music has never really been the big centerpiece of the fight.
Well, 'aerospace' was really not a name in my young life. Flying airplanes was. And I got my first try at flying - just pure flying - by flying my 'Superman' cape off my daddy's barn when I was about 5 years old.
I ultimately do still feel like an outsider, and I do feel, actually, I'm more in the world of music because of how much I participate with musicians - in all aspects, not just clothes.
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