A Quote by Richard Ben Cramer
I'm just an old storyteller, and I always wanted to know, what the hell were these candidates really like?
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You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
When I was about, I'd say, 18 or 19 years old, I wanted to be a part of the CIA just because they know those intimate secrets... So I was just always into knowing. I like to know things.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
My friends, when I was young, were always older than I was, and I've always liked them. And I love old men and old ladies, really. But I've known more elderly men, like Max Beerbohm, like Beranard Berenson, like Somerset Maugham, Winston Churchill-I'd put him first, anyway-what they say is so wise and so good. They know what they're talking about.
I've always wanted to be a writer. I've been writing since I was probably four years old - it was nonsense, but it was still my little attempts at being a storyteller.
I've always loved films, and I always felt like a storyteller. I left Norway after high school and moved to Manhattan and went to film school in Manhattan. That's when I really found out that this was my calling and what I wanted to do.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
Crossroads is second to none in our support of Tea Party candidates. In 2010 and '12, we spent over $30 million for Senate candidates who were Tea Party candidates. We spent almost $20 million for House candidates who were Tea Party candidates.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
I used to ride the school bus to school and just listen to music with my headphones. I'd stick my head out the window and just think about how much I wanted to be a singer. I always wanted to do it, but I think I was always in the wrong place. I didn't really have any opportunities. So I left LA four years ago and I really just left my old life behind. I threw everything into pursuing music.
I never wanted to be a brand director. I didn't want that kind of stamp. I wanted to be more like Pacino or Dustin Hoffman or Meryl Streep or De Niro - you know, a chameleon as a storyteller - because I love all kinds of movies.
Think of Jonathan Edwards who thundered the terrors of God and what Hell was like until men grasped their seats and hung on to them, fearing they were falling into Hell itself. Men were moved by fear to escape damnation. That was believed to be Christianity. Why any coward wanted to keep out of Hell. He might not have had one idea in his soul of what was the real true earmark of Christianity.
There's always a handful of 40-year-old dudes. I don't know why that is exactly. I don't know if it's like my looks or the music or what, but I seem to just really appeal to that age group. A lot of people have said to me, "What's with all the old men?," and they laugh. But to me, those are my fans and I'm happy they exist.
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