A Quote by Richard Ben-Veniste

I like Harvey Keitel. I liked him in 'Mean Streets.' I'm a fan. — © Richard Ben-Veniste
I like Harvey Keitel. I liked him in 'Mean Streets.' I'm a fan.
I like Harvey Keitel. I liked him in Mean Streets. Im a fan.
Oh I had crushes on all my leading men, I think. Oh, you know who I really had fun with? In this movie 'Mother, Jugs & Speed,' I really liked working with Harvey Keitel.
[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.
I really didn't know who Dario [Argento] was. I didn't know who Harvey Keitel was. It was a wonderful experience, though.
I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.
Almost every single person that I've worked with - whether it's been George Clooney or Robert DeNiro or Harvey Keitel, or whoever - the quality that I find that's most consistent in most of the people is the humility.
I'm an absolute fan of 1970s New York in films like 'Mean Streets' and 'Dog Day Afternoon.'
I'm an absolute fan of 1970s New York in films like 'Mean Streets' and 'Dog Day Afternoon.
I want to get a handle on the music. There's only so much you can do alone. I want everyone else there. I can't wait until we feel we've got it down and we can really figure out what it's all about! I can't wait to meet Harvey Keitel, too! I'm so used to working with musical theatre people... I'm really curious how he works. He's the only one that doesn't sing in the show - he acts and weaves himself through the show as the ring-master. I hope I learn something from him.
I mean, I'm a fan of Eminem. I'm a fan first and foremost. Maybe before I wouldn't have challenged him, but I'm contemplating it now.
Fans don't know what they want. Fans are like, 'Oh, I want the stuff that you did in the last album because I really liked it, and if you don't do that, I'm not going to be your fan no more.' Or they'll be like, 'I didn't like that project. He doesn't sound like him on it,' or 'You're wack. You're mainstream now.'
I always thought that the film would be successful if we captured Harvey Milk, like the way Harvey really was-the personality, the humor, the corny bad jokes, all of it.
I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.
I was friends with Cube; he was also a fan of mine, and I a fan of him. Even before Balistyx happened I was hanging out with him, taking him to 'The Arsenio Hall Show' for his first time. I was like, 'Ice Cube, I've got a plus 1, you should go,' and I took him. Cube wasn't known at all yet.
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